From author Dena Bain Taylor:
The story of Beowulf comes down to us in three written sources. The most famous is the epic poem Beowulf, written in Old English in (likely) the early tenth century. I’m fully prepared to argue over drinks that it’s the greatest poem in the history of English literature. In the first 2200 lines of the poem, the young Beowulf sails with his warband to Denmark and saves the kingdom of Hrothgar by killing the man-eating monster Grendel, quite spectacularly tearing off its arm and pursuing it to take its head. He follows up by wrestling down and killing Grendel’s equally monstrous mother. In the second part (1172 lines), Beowulf is an old king compelled to fight and kill a dragon that has been ravaging his people. He succeeds, but is himself killed. There’s an inescapable sadness at the end of Beowulf. For all his greatness as a king and a warden of the land, Beowulf dies alone, deserted by all but one loyal thane, Wiglaf the son of Weohstan. He has no heir to leave his wargear to and he knows that his people, the Geats, are doomed to destruction at the hands of their old enemies the Swedes once they get news of his death. It’s a weighty counterpoint to the beginning of his tale, where he’s surrounded by loyal companions and welcomed as family by Hrothgar the Shield-Dane and Beowulf’s uncle Hygelac the Geat, two kings at the height of their powers.
The poet devotes exactly ten lines to what happens in between the two stories: Beowulf succeeds his uncle Hygelac as king of the Geats, rules his land well for fifty winters, and grows old and wise. And then the dragon wakes. It was that gap that first got me thinking — what was the turning point in Beowulf’s life and career as a hero-king? I’d also long wondered, is Beowulf just a fictional character in an Anglo-Saxon poem — a 10th century version of a Marvel comics Avenger, if you will? Or does the monster-killing hero in fact represent some real Scandinavian prince? (Read more.)
No comments:
Post a Comment