St. Joseph: The Model of Manhood

March is the month of St. Joseph. From The Catholic Gentleman:

Why did God choose St. Joseph? Of all the thousands of Jewish men, many of whom no doubt were righteous, why was a humble carpenter chosen for the task of being the earthly father of the Savior? The answer is simple: God knew St. Joseph would immediately do anything that was asked of him, no matter how difficult.

The saints agree that conformity to the will of God through prompt obedience is one of the surest paths to holiness. St. Joseph exemplified this virtue, and a perfect example is the flight into Egypt. The angel of the Lord appeared to St. Joseph in a dream, warning him of the danger that was coming. Scripture then tells us that, “When he arose, he took the young Child and His mother by night and departed for Egypt.” Did you catch that? The minute he woke up, he obeyed. He didn’t let fear of uncertainty paralyze him, he didn’t spend weeks planning, and he didn’t save up some money first. He took Jesus and Mary and left for Egypt, entrusting his family to the providence of God. That is prompt obedience, and that is why  St. Joseph was entrusted with the greatest responsibility ever given to a man. (Read more.)

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"Khamenei is dead! My Iran is free!"

 From Tierney's Real News:

Ayatollah Ali Khamenei, Iran’s Supreme Leader, was killed on February 28, 2026, in a joint military airstrike operation conducted by the United States and Israel. They allegedly dropped over 30 bombs on Khamenei’s compound/office in Tehran early in the morning - when he least expected it - while he was meeting with his administration.

Intelligence from the CIA reportedly helped Israel locate targets, including Khamenei.

Multiple other family members and senior figures in the Iranian regime were killed in the same or coordinated strikes:

• The head of the Islamic Revolutionary Guard Corps (IRGC).

• Iran’s Defense Minister.

• A top security adviser / secretary of the Iranian Security Council (a close adviser to Khamenei).

• Some 48 other senior regime members.

• His daughter, grandchild, daughter-in-law, and son-in-law were also allegedly killed in the strikes.

• There are also unconfirmed reports suggesting Mojtaba Khamenei (a prominent son and potential successor) may have been killed, along with his wife.

PRESIDENT TRUMP: “Khamenei, one of the most evil people in History, is dead. This is not only Justice for the people of Iran, but for all Great Americans, and those people from many Countries throughout the World, that have been killed or mutilated by Khamenei and his gang of bloodthirsty THUGS.

He was unable to avoid our Intelligence and Highly Sophisticated Tracking Systems and, working closely with Israel, there was not a thing he, or the other leaders that have been killed along with him, could do. This is the single greatest chance for the Iranian people to take back their Country.

To the great, proud people of Iran, I say tonight that the hour of your freedom is at hand. Stay sheltered. Don’t leave your home. It’s very dangerous outside. Bombs will be dropping everywhere.

When we are finished, take over your government. It will be yours to take. This will be, probably, your only chance for generations. For many years, you have asked for America’s help, but you never got it. No president was willing to do what I am willing to do tonight. Now you have a president who is giving you what you want, so let’s see how you respond.

America is backing you with overwhelming strength and devastating force. Now is the time to seize control of your destiny and to unleash the prosperous and glorious future that is close within your reach. This is the moment for action. Do not let it pass.”

To the members of the Islamic Revolutionary Guard, the armed forces and all of the police, I say tonight that you must lay down your weapons, and have complete immunity, or, in the alternative, face certain death. So lay down your arms. You will be treated fairly with total immunity, or you will face certain death.

We are hearing that many of their IRGC, Military, and other Security and Police Forces, no longer want to fight, and are looking for Immunity from us. As I said last night, “Now they can have Immunity, later they only get Death!”

Hopefully, the IRGC and Police will peacefully merge with the Iranian Patriots, and work together as a unit to bring back the Country to the Greatness it deserves.

That process should soon be starting in that, not only the death of Khamenei but the Country has been, in only one day, very much destroyed and, even, obliterated. The heavy and pinpoint bombing, however, will continue, uninterrupted throughout the week or, as long as necessary to achieve our objective of PEACE THROUGHOUT THE MIDDLE EAST AND, INDEED, THE WORLD!” (Read more.)

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The Two Swords of Christ

I loved Ibrahim's Defenders of the West. From The Chivalry Guild:

If I had to pick the best way to describe the recent works of Raymond Ibrahim—Sword and Scimitar (2018) and Defenders of the West (2022)—I’d call them no-going-back books. The equally chilling and invigorating experience of his histories cannot be undone and you cannot see the world the same way afterwards—especially since it’s not just history, but a forgotten prelude to what we’re living with today. Reality looks different post-Ibrahim.

Sword and Scimitar takes the reader through fourteen centuries of warfare between Islam and the West, with emphasis on eight great battles within that conflict. Better than any book I know, it dynamites the old public school narrative about the Crusades as a brutal act of Christian aggression against those poor, peaceful, tolerant Muslims. Ibrahim tells a much darker story about our ancient adversaries, documenting the scale of their conquests and the horrors that followed pretty much everywhere the armies of the prophet went. What we call “the West,” he writes, is but “the last and most redoubtable bastion of Christendom not to be conquered by Islam. Simply put, the West is actually the westernmost remnant of what was a much more extensive civilizational block that Islam permanently severed.” Three-quarters of the formerly Christian world was conquered by these people. It is both chilling and invigorating, like I noted, to think about how much danger we were in—and what kind of virtue was required to meet that danger and triumph over it, at least for a time.

Defenders of the West is an even more important book. It’s personal and compelling, and it reverses a long trend of hiding Christian heroes from those of us who need to learn about them. Thanks to Enlightenment propagandists, a vague narrative persists that heroism basically died out after the assassination of Julius Caesar and wasn’t revived again until Napoleon and George Washington walked the earth. The intent is a broadside against the Faith, leaving you with the vague impression that the teachings of Christ and his Church effectively snuff out all martial virtue, as though heroics cannot co-exist with the Gospel. Ibrahim shows this to be absolute nonsense. With his chronicles of Godfrey of Bouillon, El Cid, Richard the Lionheart, Fernando III, Louis IX, John Hunyadi, Scanderbeg, and Vlad Dracula, he brings to life eight legends whose deeds rival or exceed those of any heroes of any age.

These works are, in my humble opinion, on the shortlist for books of the century. So it was with special interest that I anticipated his follow-up effort. The Two Swords of Christ (published November ’25) continues with his major theme but looks at a different aspect of the conflict: the crucial work done by the Templars and the Hospitallers, basically the special forces of Christendom.

Ibrahim’s title comes from Luke 22, in which Jesus tells his disciples to buy a sword. When they reply, “Look, there are two swords here,” Jesus says, “It is enough!” What’s fascinating is his use of the singular pronoun it rather than the plural they. It suggests not the swords, but a way of life that employs “a spiritual sword against spiritual enemies, and a physical sword against physical enemies.” If your religious education was anything like mine, your teachers blithely passed over this and similar passages in favor of all the nicer-sounding directives about loving everybody and just being nice, along with never fighting—because fighting is unchristian. For those looking for simplistic formulas for life, it’s far easier to reduce the character of the Lord to that of a harmless meditation instructor, rather than wrestling with the much more challenging and dynamic truth.

The two swords also work as a metonymy for the knightly orders, filled with men whose particular way of serving God and their neighbors was with weapons. (Read more.)

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The Restoration of the Monarchy in England and France

Charles II and his brother James Duke of York (James II) in 1660 upon their return to England after years of exile

 I have written a novel about the Bourbon Restoration and am working on one about the Stuart Restoration. From Charles Coulombe:

Despite enormous amounts of internal plotting and occasional violent opposition – often centred in either country’s “Celtic Fringe” – neither revolutionary regime was ended by internal action on the part of the exiled Monarch’s supporters.  Rather, in the case of the British Isles, Restoration was imposed by General Monck and the army; in France, it was the victorious Allies of 1814 and 1815.  Nevertheless, in both countries, once the deed was done, the returning Kings were greeted rapturously by their once-estranged and now chastened subjects.

Both Restorations saw an explosion in literature and the other arts.  The London stage, freed from Puritan suppression, turned out and performed endless numbers of plays, while the surviving Cavalier poets happily turned out masterpieces.  Romanticism, in full swing upon the return of the King to Paris, was dizzying in effect upon all of the arts.  Both Restorations were heavily equipped with dandies and wits of all sorts, enjoying the revival of intellectual freedom the respective restored Monarchies brought in their wake.

Another happy benefit of the Restorations in both countries was the revival of Catholicism.  In the British Isles, it was partial, but still very much in the air.  St. Claude de La Colombiere was the confessor for some time to Charles II’s Catholic Queen, Catherine of Braganza, and the King would enter the Church on his deathbed.  In France, the Church began a rapid programme of revival that would outlast the Restoration and encompass most of the 19^th century; but its roots were definitely laid down during this era.

Both Restorations had a particular drawback, which was a rise in public immorality of all sorts.  In part this was because the revolutionary regimes had been so very oppressive.  Liberation did not just mean the freedom to do the right thing – it also meant that fallen nature would have its way.  Nor did it help that neither restored  King – Charles II nor Louis XVIII – had a tremendous reputation for morality – and both would die without any legitimate children.  But they both did have enormous charm. (Read more.)

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USA and Israeli Forces Attack Iran

 From CDM:

The attack on Iran is large-scale and is expected to continue for at least several days, reports NYT. First wave of Iranian ballistic missiles launched toward Israel. 30 missiles reportedly fired. Yemen's Houthis will resume attacks on shipping in the Red Sea corridor. IRGC: In response to the aggression of the hostile and criminal enemy against the Islamic Republic of Iran, the first wave of large-scale missile and drone attacks by the Islamic Republic of Iran toward the occupied territories has begun.

Israel's Defence Minister says Israel has launched a preemptive strike against Iran to remove threats to the state. A missile and drone attack on Israel is expected in the immediate timeframe. Defense Minister Israel Katz has declared a nationwide special state of emergency and urged the public to follow Home Front Command instructions and remain in protected areas.

IDF spokesperson says that starting Saturday at 8:00 a.m., the country will shift from full activity to essential activity only. Schools, gatherings, and most workplaces are suspended, except for essential services. Israeli opposition leader Yair Lapid on airstrikes in Iran: There is no coalition and opposition — there is one people and one army, and we all stand behind it, reported Clash Report.

About 30 targets across Iran have been struck so far, including the Iranian President’s residence and an intelligence headquarters, Israeli reports claim. Iran closes its entire airspace as strikes hit Qom, Khorramabad, Isfahan, and Tehran. (Read more.)

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The Merlin Mound

 From the BBC:

Demolition work will start in April at the site of a neolithic monument where – legend has it – the bones of King Arthur's magician Merlin are buried. In November, Wiltshire Council gave Marlborough College permission to knock down 20th-century buildings cut into the side of the 4,000-year-old man-made hill. A carpentry workshop, toilets, plant room, water meter and pump will all be demolished. The works will enable archaeologists to investigate a cross-section of the Marlborough Mound, which sits in the grounds of Marlborough College.

According to legend, Merlin's connection to the town gave Marlborough its motto – "'ubi nunc sapientis ossa Merlini" or "where now are the bones of the wise Merlin". Following the Norman conquest, William the Conqueror ordered a castle to be built on the site. The 62ft (19m) tall hill is the second tallest of its kind, with nearby Silbury Hill taking the top spot. The buildings will be "taken down slowly, with an archaeologist present", according to the Marlborough Mound Trust, which is working with the college on the project.

Although it is unlikely anything significant will be found under the buildings, traces of medieval waterways could be uncovered which could give a more "visually pleasing" setting for the monument, according to an archaeological assessment. The mound is not open to the public, although an annual open day is held each summer, for which tickets are issued. (Read more.)

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The Leopard (2025)

 

 

If we want things to stay as they are, things will have to change. ~The Leopard

The 1963 Visconti film The Leopard (Il Gattapardo), based upon the novel by Giuseppe de Lampedusa about his great grandfather, is an undoubted masterpiece. Both the novel and 1963 film depict the struggles of a princely Sicilian family, under the leadership of their patriarch Don Fabrizio, to navigate the Revolution, called in Italy Il Risorgimento. Il Risorgimento (1848-1870) also labelled the unification of Italy, involved the dominance of the House of Savoy over the other principalities of the Italian peninsula, including the ancient Kingdom of the Two Sicilies, likewise known as the Kingdom of Naples and Sicily. The unification was a violent process led by the masonic revolutionary Giuseppe Garibaldi and his Red Shirts. Don Fabrizio, Prince of Salina, peer of the Sicilian Kingdom, must make some hard decisions in order to protect his wife and children, while salvaging his patrimony and preserving his honor. This is no small task in an era of war and of swiftly changing loyalties amid political upheaval. Luchino Visconti, in spite of being a Communist, crafted an authentic yet transcendent portrayal of a family in crisis, set to a magnificent score by Nino Rota. The 1963 film has become for many the defining depiction of Il Risorgimento. It certainly has been for me, until I recently decided to watch the Netflix series based on Il Gattapardo. The 2025 version is a masterpiece in its own right.

 

From The National Review:

The new series is in the grand tradition, with all the cinematic bells and whistles (no matter that I watched it on my laptop). Wikipedia says this:

Principal photography began in April 2023. Filming took place over 105 days and required the use of 5,000 extras; 130 carriages, carts and boats; 100 animals; and 12 animal trainers.

A friend of mine (Italian) said, “The real star of the show is Sicily.” She makes a good point. I’m not sure that Sicily has ever been more beautiful or alluring than in this show. The Netflix Leopard is a feast for the eyes. Almost indecently sumptuous. The flowers, the lemon groves, the palazzos — the food! And, of course, the people: the principal actors and actresses. Gorgeous people, on a gorgeous island, gorgeously shot. That is a commendation already.

The title character — the prince, the Leopard, also known as Don Fabrizio — is portrayed by Kim Rossi Stuart. (One of his grandparents was Scottish. He was named for Kipling’s title character.) Stuart’s prince is suave, worldly, world-weary, charismatic — every inch a prince, really.

Tancredi, that Garibaldian rascal, is played by Saul Nanni, born in 1999. I came to detest the character — not because the actor does anything wrong but because I wanted Tancredi to do right by Concetta and Angelica (and he does right by neither). Do you ever try to “edit” a movie, so as to make it come out right, by your lights? Life can be frustrating, onscreen as off . . .

Concetta is Benedetta Porcaroli, who reminds me of Lady Di, as we knew her, before she became a princess. Angelica is Deva Cassel, born in 2004. Signorina, or Mademoiselle, Cassel is the daughter of Vincent Cassel (the French actor) and Monica Bellucci (the Italian model and actress). How ugly can she be, I ask you? Angelica in this series is sex on wheels — a danger to young men, old men, and, you could say, herself.

 Don Calogero is portrayed by Francesco Colella. The character is supposed to be a villain of the piece, and in a way he is: he behaves badly. But many do. And he is a man born poor who is trying to rise in the world: trying to have some of the money, influence, and power that the likes of Don Fabrizio have dropped into their laps at birth. (Read more.)

One would think that a film about Sicilian aristocrats would have nothing to say to American audiences. Yet the story is essentially about family cohesion in a rapidly changing world, to which just about anyone alive today can relate. Dysfunctional dynamics can haunt palaces as well as cottages, with petty jealousies, spousal disagreements, infidelities. But devotion and sacrifice are also there, as well as shared jokes and effervescent joy. Most of all the roles of the father and the mother in keeping the family together, in spite of their personal issues, are inspiring.

At the core of the story is Don Fabrizio's daughter Concetta, a devout and disciplined principessa, convent-bred, who is in love with her cousin Tancredi. In the course of the series, Concetta is faced with painful choices, but in spite of being as passionate and headstrong as the men in the family, chooses the most noble courses of action. Both her suffering and contentment are projected in her jewel-like eyes, even while her modest and dignified bearing attempt to hide her emotions.

Fabrizio himself tries to follow the traditional code of chivalry. His patriarchal duties, especially the duty to protect his family, are second nature to him. When the mayor's daughter, the magnificent Angelica, hints that being his mistress would not be distasteful to her, the Prince lightly dismisses the idea, ignoring his own desire for the girl. He encourages her to marry his nephew, knowing that will be the best thing for everyone. He comes as close as he can to her in a single waltz, in which he maintains a gentlemanly reserve. Meanwhile, the new order has triumphed, as the characters dance in resplendent, frescoed rooms built by the old order.

There is one glimpse of boudoir activity which renders the series unsuitable for children. It would be odd to make a series about Sicily without scenes of religious faith. The Leopard is full of displays of piety, such as when the family prays the rosary together, although in the old film they were kneeling, not sitting. But there is certainly more Catholic imagery than there is sex. The family chaplain is in practically every scene, along with discussions of heaven and hell. The visuals are stunning on a life-changing level; the costumes prove that authenticity and artistry can work side-by-side. It shows what beauty Netflix can produce when willing to do so.

 

 

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Sanity Returning to ‘Boy Scouts’ of America

 From American Wire:

Common sense may be making a comeback. At least, sanity appears to be returning to what was once an American institution, the Boy Scouts of America — which is now called Scouting America. Secretary of War Pete Hegseth announced on Friday that Scouting America will alter some of its woke policies to maintain support from the U.S. military, including overturning DEI policies that “crept in.” Among the changes, the organization will go back to separating males and females in showers, tents, and intimate spaces.

“Scouting America will modify its policy to make clear that membership will be based solely on biological sex at birth and not gender identity,” Hegseth said.

“Scouting will also make clear that biological boys and girls will not be allowed to occupy or share intimate spaces together. Toilets, showers, tents, anywhere like that,” he added. “Scouting America will honor those who serve by waiving the registration fees for children of active duty, guard, and reserve families. Should have happened a long time ago.”

Hegseth said Scouting America will also introduce a “new military service merit badge,” while discontinuing its Citizenship in Society merit badge.

“Scouting America’s leadership committed to, in that room right over there, will hopefully result in a rededication to the foundational ideals that have defined Scouting for generations. Duty to God and country, leadership, character, and service,” the Trump official said. (Read more.)

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A Review of 'The Heft of Promise' by Frederick Wilbur

 From poetess Maggie Quesenberry Smith:

Frederick Wilbur’s The Heft of Promise explores faith, doubt, and reason by recounting one man’s losses and setbacks, which he tries to endure throughout the labors of farm work, woodworking, and poesy. Many of these poems are meditations on submitting to the discipline of woodworking even though the art’s labor makes unruly clutter no one else understands—a host of tools, profuse wood shavings, deep scars marring his worn work bench. In the end, the poet experiences a watershed moment. He realizes that he will have to let go of his faith in the “dignity of labor” in the end. In “Asylum: Way of Being,” the poet says,

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...My hand tools
become mantle shelf antiques,
valuable to collectors in pristine uselessness:
my making made me.

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As the poems progress here, the poet’s “latch-bolt / snugs to its keeper.” The poet realizes that a man’s faith solely rooted in Earth cannot sustain him, even though the real world is sometimes all he believes in. In this collection, one man’s story unfolds as he learns from his labor that parables exist there, waiting to emerge as the natural world reveals them through his making.

This collection of poems also explores the pitfalls today in pursuing truth and beauty through poetry rooted in rural, place-based romanticism. This is an age where expeditious consumerism and complex technologies threaten neo-romantic perspectives, well-divorced from Virginia’s rural landscapes, so Wilbur realizes it has become difficult to convince newcomers that homeplaces have enough value for one to invest the work in their husbandry and upkeep. Throughout life’s joys and lamentations, the speaker weighs his worldly blessings and eternal hopes dependent on his earthly possessions and discovers even homeplaces will be too heavy to remember until death. These poems unveil the poet’s slow embrace of simple poverty and the freedom it brings once the poet’s hope and faith are authentic and unfettered by all the substitute “blessings” the materially poor seek in coincidental “finds” throughout the world’s auction houses and salvage yards.

Even the poet’s promises become too heavy to bear, even “empty promises.” While hopeful, people plan and promise, but they are ignorant of their flaws, fragilities, and blind sides. Often, they do not understand the long-term endurance and sacrifices their promises make. Also, the poet shows that the world can “befuddle” our hopes. Sometimes, the world exposes the well-meaning messiness our shortsighted labor and industries engender, much like Wilbur’s hapless cardinal in “Dustwings,” which hits a storm-window and leaves traces from its wings’ prints in the window’s dust. Likewise, Wilbur explores the fact that real world interferences, distractions, and redirections ever thwart our promises, and the guilt of falling short of one’s promises to finish well-laid plans grows too heavy for the poet to bear, driving him to winnow what to keep from what to get rid of—what to get out of his dwellings, out of his memories. What will that engender, though? (Read more.)

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