The Art of Pilgrimage

 

September is the month of Our Lady of Sorrows. From The Way of Beauty:

Pope Benedict XVI, in The Spirit of the Liturgy, identified three authentic traditions of Christian liturgical art: the iconographic, the Gothic, and the Baroque. Each is a legitimate expression of the Christian understanding of the human person and our relationship to God, and each communicates that understanding through a distinct visual language, thereby promoting prayer and worship among the faithful. The iconographic tradition, which dominated Christian art in both East and West until the 12th century, portrays man as he will be in heaven: transfigured, luminous, outside ordinary space and time. The Baroque, which developed in the 17th century, portrays fallen historical man in this life, in the full drama of suffering and grace. The Gothic stands between them, and it is the art most characteristic of the high medieval period in the West.

The Gothic is an authentic and distinct style of liturgical art that developed organically in the West from the iconographic prototype. As the change was gradual, any attempt to date its beginning involves some arbitrary choice. Most commentators settle on the mid-12th century, coinciding broadly with the completion of what is generally considered the first Gothic church, the Abbey of St Denis in Paris, in 1144. The name ‘Gothic’ was coined by High Renaissance commentators as a term of contempt. They held it to be a barbaric style belonging to the period of cultural decline that they believed had begun when the Goths overran the Roman Empire in the West a thousand years earlier. Historians today do not generally share that view of cultural decline, but the name stuck. Even those of us who admire Gothic culture and art continue to use it!

The impetus for the departure from the iconographic prototype stemmed from an increased emphasis on the reliability of human experience and the value of information received through the senses. This led to a greater curiosity about and appreciation of the natural world. Such appreciation was not new: Christians had always relied on sensory information and valued the beauty of the cosmos. What was different was the degree of weight now placed upon them.

Tied to this was the conviction that our world, though fallen and imperfect, is nevertheless good, ordered, and beautiful. There may be evil and suffering in the world, and it may not be as good and beautiful as it ought to be, but it remains God’s creation. This appreciation of the natural world and confidence in our ability to know it through the senses sparked curiosity and a desire to observe it more closely. One effect was the rise of scientific inquiry; another, the one that concerns us here, was an increased naturalism in art, a greater correspondence to natural appearances. The devotion to rational inquiry bound up with this cultural movement also led to a new approach to learning and to the establishment of the great universities, among them those of Paris and Oxford. (Read more.)

 

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Knife Wielding Woman In NYC

Another weird case. From The Truth Barrier:

 The official story:

A 49 year old woman named Pamela Cisneros with a documented history of “Bi-polar” disorder stabbed the 32 year old Vice President of Bank Of America to death in Times Square, N.Y.C., and shortly thereafter stabbed another man, a tourist from Rhode Island, who survived. She is seen on a video waving two small knives at a circle of cops. She lunges at them, is shot, and killed.

Video here.

[Warning: Video depicts shooting of the woman.]

I watched the video and wondered why they didn’t demand she drop the knives, or taser her. I also wondered why there as no blood on her, on the knives, or on the ground. The bullet is seen falling out of her stomach as they turn her over and handcuff her. Also, why is that photographer there with a professional camera, shooting photos?

Many in media are posting this video of the same person, same clothes, dancing creepily with knives (much larger knives) in the exact manner that Britney Spears always does. It is apparently AI. (Read more.)

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A Monastery to ‘Last a Thousand Years’

 From NCR:

A community of Discalced Carmelite sisters is using centuries-old methods to build a monastery in hopes that it will serve as “a beacon of light” for generations to come in Fairfield, Pennsylvania. When the sisters of the Carmel of Jesus, Mary, and Joseph realized they had outgrown their 1940s monastery in the Diocese of Harrisburg, they knew they wanted to build their next home “in a way that is designed to last,” that would speak to St. Teresa of Ávila’s vision for their charism, Catherine Bauer, the director of marketing and development for the sisters, told EWTN News. “And by that, they mean last a thousand years.”

Bucking modern architecture and building conventions, the Fairfield sisters have opted to build their monastery using old-world methods including traditional stonemasonry and timber framing. While the scale of the monastery “will be on the smaller side,” according to Bauer, “it’s more about the stonework, the authenticity of building from the ground up using no nails, no glue, [and] no electricity running through it.” (Read more.)

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The Forgotten Prince of Versailles, Part II

 

From Philip Diaz-Lewis at Rationis Fines:

In 1763, two years before his death, Louis-Ferdinand helped make a book for lay people, to help them fit devotion around their duties according to their state’. The translation of the Psalms was taken from Jean-Joseph Languet de Gergy, while the Dauphin added his own composed meditations (or hymnes). The work was published by the Cardinal de Luynes, as Office divin abrégé pour tous les temps à l’usage des personnes pieuses.2 As the opening quote should show, the meditations could be quite weighty given the stated intention of the book. It is noteworthy that a prince would care so much to insert such passages into something whose stated aim is speed.

In part one, I introduced the obscure figure of Louis-Ferdinand, son of Louis XV, father of Louis XVI, and Dauphin of France until his premature death in 1765. Using the standard modern scholarly study on his life, La vertu et le secret by Bernard Hours (2006),3 he emerged as a devout, conservative, and anti-radical figure, yet not a mindless zealot. He was widely-read, well-educated, and a writer of maxims and reflections in the ancient Stoic style. Now I turn to the question: was he not merely a thinker, but a coherent one?

Hours flags that quite a number of the sayings recorded by the Dauphin’s posthumous biographers contain commonplaces typical of hagiographical writing.4 This does not by itself invalidate them, for a Christian prince could well have thought in these stock ideas gotten from devout literature. But it does make them less secure as primary sources, since his biographers may have shaped or embellished what they remembered, perhaps without meaning to. Thus, in what follows I will focus only on those maxims and sayings that Hours thinks most likely came from the man himself. (Read more.)

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The First Amendment Protects Your Speech, Not an Islamic Activist's F-1 Student Visa

 From The Enterprise:

Last week, Judge Noël Wise of the Northern District of California entered judgment in Stanford Daily Publishing Corp. v. Rubio. The plaintiffs were the university’s student newspaper and a Jane Doe holding an F-1 visa. The opinion runs some 90 pages and collapses two legal statuses that the Constitution and the Immigration and Nationality Act keep apart. An American citizen and a foreign student may stand at the same rally and chant the same slogans for Hamas, the same organization that murdered, raped, and kidnapped Israeli civilians on October 7. The First Amendment forbids the government from jailing, fining, or prosecuting either of them for those words alone. That protection is real. It is also not the question this case decides.

The question is whether a foreign student, admitted for a limited purpose on conditions attached by Congress, may retain the invitation after the Secretary of State concludes that his presence carries potentially serious adverse foreign policy consequences. Judge Wise held, in effect, that once the guest begins speaking, the invitation hardens into something the Secretary cannot touch. She treated a permission as if it were a right. The citizen holds this country the way an owner holds a house. The visa student is a guest. Nothing in the First Amendment converts the second position into the first.

Section 221(i) of the Immigration and Nationality Act, codified at 8 USC 1201(i), is written for guests. After a visa is issued, the Secretary of State “may at any time, in his discretion, revoke” it. The power does not expire when the student clears customs. The judgment belongs to the Secretary, not to a jury, a prosecutor, or a district judge in San Jose. A companion provision, 8 USC 1227(a)(4)(C), makes an alien deportable when the Secretary has reasonable ground to believe that his presence or activities would have potentially serious adverse foreign policy consequences. Congress then added the sentence that should have stopped this lawsuit at the courthouse door. There shall be no means of judicial review of a 221(i) revocation, except in the narrow case where the revocation is the sole ground for removal. Congress knows how to open the courthouse. It does so constantly. Here it closed the door on purpose, because visa decisions sit where foreign policy, intelligence, and diplomacy meet, and because courts have the least competence in that arena. (Read more.)

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Clancy History

 From Tierney's Real News:

Lindsay was prescribed a changing mix of medications over several months, including:

• Antidepressants: Zoloft (sertraline), Prozac (fluoxetine), trazodone, amitriptyline, Remeron (mirtazapine)

• Benzodiazepines / anxiety / sleep agents: Ativan (lorazepam), Klonopin (clonazepam), Ambien (zolpidem), Buspar (buspirone)

• Antipsychotic / mood stabilizer: Seroquel (quetiapine), Lamictal (lamotrigine)

• Over-the-counter: Benadryl (diphenhydramine)

These drugs (especially in combination or when rapidly started, stopped, or dose-adjusted) can produce profound effects on brain chemistry. Benzodiazepines, Seroquel, Ambien, Trazodone, and high doses of certain antidepressants can cause heavy sedation, emotional blunting, dissociation, and a flattened affect often described by patients and clinicians as a “zombie-like” state—reduced emotional responsiveness, slowed thinking, and a sense of detachment from one’s own actions or surroundings. (Read more.)

 

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Ferne Park

  

 

From Country Life:

From the south terrace of Ferne Park, the double avenue of 400 lime trees lead out towards the hazy distance where, on the rise of Cranborne Chase, a stand of beeches marks the site of the Bronze Age Win Green bowl barrow. This is the highest point in the Cranborne Chase National Landscape, where the ancient ox drove runs east/west, linking the chase to Salisbury in Wiltshire and Shaftesbury in Dorset over the county border. Equally breathtaking is the view from the front steps of the house, which faces north to the rolling greensand hills in the Vale of Wardour. Little wonder that there has been a settlement here since 1225.

The surprise is that the house that commands this view and the gardens and parkland that surround it have only been here for 25 years. When Lord and Lady Rothermere bought the estate, it covered 200 acres and was derelict: there was no house and everything that could be sold had been. Today, the estate encompasses 2,000 acres, of which the garden covers about 28 acres, providing cut flowers, houseplants, vegetables, fruit and eggs. The 100-acre park surrounding the garden has been substantially replanted and is now home to a herd of White Park heritage cattle.

‘When I went with my husband to look at Ferne,’ recalls Lady Rothermere of her first sight of the estate in March 1999, ‘I had no desire to build a house. To create a garden certainly wasn’t in my future plans.’ Yet, as they rolled down the A30 and the landscape opened up before them, they could not help but be smitten. ‘Our decision to move was very impulsive, but we were young.’(Read more.)

 

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We’re In the Midst of Another Globalist Psy-op

 From Welcome to Absurdistan:

The real damage was done to the young. While boomers made bank on global warming and globalism, kids are in despair. In the real world, the physical, nothing has happened for 35 years. Every middle and working class person has been cheated of life. Slow growth, no growth, over-regulation to stop enterprise because ‘carbon’, has nearly choked the life out of us. The Climate Change/Net Zero junta was supposed to shut us up, the science so convoluted and unreadable, we were supposed to be silent in awe of our superiors. And the corporations were about to make big big bank off the carbon tax subsidies of truck drivers and waitresses.

You know who swallowed the fiction whole? Teachers.

In a Lancet Planetary Health study of 10,000 young people across ten countries, 75 percent said the future is frightening, and 56 percent said they believe humanity is doomed. A 2025 PNAS study found one in five Americans aged 16 to 24 is afraid to have children because of the climate. That gloom has deepened over time. In Yale’s long-running survey, the share of Americans 18 to 34 who say global warming is already harming this country rose from 40 percent in 2012 to 64 percent in 2022. - American Greatness, August 22, 2026

That’s why those generations are looking hard at Democratic Socialism. The world of their parents was gutted by globalists, slow growth and the scare story of climate change. They don’t see a future.

But in the real world, even the IPCC has downgraded their warnings to moderate, unknown, not catastrophic, and the scam is almost over. Once the digital elites realized they needed more energy they stopped virtue signalling and funding the NGO’s, and that was that. Canada and Europe are still trying to save face and pay off investors in “carbon capture”, as are the media, but that will fade too. The pension losses alone……draw a veil.

But then of course, a new panic is confected. Bill Gates issued a warning about AI two days ago, which means AI panic is a globalist psy-op which has picked up just about everyone. If Bill Gates is opining, it’s a psy-op; nothing that man says is honest.

The things that physical AI, agentic Ai will do, is transform the workplace. When BMW and Sieman’s integrated AI into their factories, no jobs were lost. New jobs, with new training were integrated. (Read more.)

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The Best Film Ever?

In some recent Tudor novels and series there has been an emphasis on St. Thomas More's role in Henry VIII's persecution of religious dissenters. As Chancellor of England, St.Thomas had the morbid task of overseeing the execution of heretics according to the laws of the land. Most countries at the time saw heresy as a capital offense so St. Thomas was not doing anything unusual in carrying out the King's will in such matters. It is the mistake of our post-Enlightenment era to judge the past by our present way of doing things. Just as we are horrified by their burning of heretics, so would they be horrified by our massive numbers of aborted babies. From George Weigel at First Things:

I recently rewatched Fred Zinnemann’s riveting cinematic adaptation of Robert Bolt’s play for at least the sixth time, and the thought occurred: Is A Man for All Seasons the most perfect film ever made? Everything about it seems exactly right.

Bolt’s screenplay keeps the action moving, highlighting the story’s pivotal moments while losing nothing of consequence from the play’s script. Everyone in the cast is terrific, beginning with Paul Scofield’s Thomas More and continuing through Wendy Hiller’s Alice More, Robert Shaw’s Henry VIII (the young Renaissance hero, not the porcine lecher of later years), Orson Welles’s Cardinal Wolsey (embodiment of a Church crippled by its alliance with state power), Nigel Davenport’s rough-and-tumble Duke of Norfolk, Leo McKern’s cynically amoral Thomas Cromwell, and John Hurt’s Richard Rich, corrupted by intellectual arrogance and overweening ambition. Vanessa Redgrave’s lascivious, eighty-second cameo as Anne Boleyn hints at the sorry end awaiting the woman for whom King Henry broke with the Church of Rome.

Ted Moore’s cinematography is both gorgeous and true to history; I once looked out the window in More’s cell in the Tower of London and was struck by how cannily Zinnemann and his cinematographer used that view of the Thames embankment to convey the changing seasons during Sir Thomas’s lengthy imprisonment. Georges Delerue’s score is well-matched to the flow of the film and gives it an authentic Renaissance flavor.

If there is anything awry in A Man for All Seasons, I didn’t notice it. 

I’ve often taken exception to Bolt’s attempt, in the preface he wrote for the 1962 paperback edition of his play, to justify to his secularist peers his esteem for More, an ardent Catholic. In that apologia, the agnostic-bordering-on-atheist playwright positioned Thomas More as a proto-existentialist hero: one who died in defense of “an adamantine sense of his own self,” King Henry’s threat to which caused “this supple, humorous, unassuming, and sophisticated person [to] set like metal, [and be] overtaken by an absolutely primitive rigor”—a man who “could no more be budged than a cliff.” Yet in his screenplay, Bolt could not escape some decidedly Catholic facts: that the More family prayed together; that More, as a theologically knowledgeable consultant, helped Henry VIII win the title “Defender of the Faith” for a book defending the seven sacraments against Martin Luther; and that More, at his trial, insisted that the papacy was a divinely mandated institution. Then, at the end, Bolt’s More confesses that he dies “the King’s good servant, but God’s first”—the God who “will not refuse one who is so blithe to go to him.” (Read more.)

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