The 9 Most Beautiful Historical Movie Theaters in the US

 

From Architectural Digest:

“Theaters help bring people together to learn and laugh and just be in community,” says Benita VanWinkle, a photographer and associate professor of visual arts at High Point University in High Point, North Carolina. Theaters are also treasure troves of architectural brilliance, as evidenced in VanWinkle’s soon-to-be-released book America’s Hometown Movie Theaters: Please Remain Standing (Bauer & Dean Publishers, September 2026). The book features 395 theaters, all built before 1965, that VanWinkle has photographed while traveling the country for more than 40 years. In the process, VanWinkle also captured tales of resilience as communities have come together over the decades to preserve historical theaters. Her hope is that they remain, not just for design lovers, but as essential community gathering places. “Theaters have always been these places where we get to see a different version of ourselves and have a place together that doesn’t have judgment,” she says. “Most theaters have places to have discussions, share conversations, be educated, and be entertained.”

Here, we’ve pulled our nine favorite historical movie theaters featured in the book. The date listed alongside each theater name and location is the year it was photographed by VanWinkle. Looking for even more movie house magic? There are literally hundreds more movie retro theaters and drive-ins to be admired in her book. (Read more.)

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Spying and Lying

 From Sharyl's Substack:

The news that Special Counsel Jack Smith spied on Congress and then lied about it should be of no surprise.

It’s far from the first time something like that has happened.

And since nobody has been held accountable in the past in any meaningful way, why would anybody expect the behavior to stop? Why wouldn’t the abuses expand?

The same could be said after the forensically proven government spying on me and my family. I was an investigative correspondent at CBS News at the time. The Department of Justice has defended the improper spying against me, in court. under Obama, Trump, and Biden—rather than holding the guilty parties accountable.

Let’s look at an early scandal that left the guilty officials unscathed and foreshadowed more to come.

In March 2013, Director of National Intelligence James Clapper gave false information under oath before the Senate Intelligence Committee.

Senator Ron Wyden (D-OR) asked him directly: “Does the NSA collect any type of data at all on millions or hundreds of millions of Americans?”

Clapper replied: “No, sir… Not wittingly.”

This was untrue. We didn’t know it at the time but the National Security Agency (NSA) was secretly collecting massive amounts of telephone metadata, records of who called whom, when, and for how long, on tens of millions of Americans through the Section 215 program, along with other bulk surveillance programs. (Read more.)

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‘The Odyssey’: The Blueprint of a Civilization

 From Ekathimerini:

We tend to file “The Odyssey” under “mythology” – alongside stories of gods who never existed, sung by people trying to explain thunder. That filing is a mistake, and it obscures the single most consequential literary achievement in human history.

“The Odyssey” is not a myth. It is a founding document. It is the moment human beings first discovered that they had an inside – and it is the blueprint from which an entire civilization, and everything that civilization would eventually give the world, was built.

Before Odysseus, there was no ‘I’ 

Read “The Iliad” closely and something strange emerges. Achilles does not decide to rage – rage arrives and moves through him like wind fills a sail. When a god speaks, the hero does not experience it as an outside voice interrupting his thoughts; the god’s command is his thought. Heroes act. They do not deliberate. There is no interior room where a self sits and weighs its options – there is only impulse, arriving as if from outside, and action following immediately after.

The Odyssey breaks this pattern, and the break is the whole point.

Odysseus pauses. He calculates. He lies, plots, improvises, disguises himself, and – for the first time in surviving literature – he talks to himself. Clinging to a rock through a violent night, he says: “Endure, my heart. You have endured worse than this.” That is not a god speaking through him. That is one part of a man addressing another part of the same man. It is the first recorded act of a human being holding itself together through interior dialogue.

Homer did not just tell a story about a man finding his way home. He recorded – perhaps without fully realizing it – the birth of human self-awareness. (Read more.)

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My Guest Post for Tony Riches

 My thanks to Tony for such a wonderful opportunity! From The Writing Desk:

Wife of the ill-fated Charles I, the colony named for her was intended to be a refuge for Roman Catholics, the Catholic religion being forbidden in the Three Kingdoms. In my room as a teenager there was a print of the Van Dyck portrait of Henrietta Maria, the original of which is in the National Gallery of Art in Washington, D.C. Called “Mary” by her subjects, the second Stuart queen of England peers down from the portrait with her black eyes, which contemporaries described as large, sparkling and beautiful. Her dark curls with auburn highlights contrast against the deep marine blue shimmer of a silk dress, with the salmon-pink bows and elaborate white cuffs and high starched collar. A wide-brimmed plumed black hat was of the type made famous by the cavaliers who later fought for her husband in the English Civil Wars. 

The white plumes are reminiscent of the one made famous by her father Henri IV of France, which he wore into battle so that his men could always find him. Like her father, Henrietta Maria was not afraid to stand out, remaining a devoted Catholic in a land where her faith was banned, becoming the number one lawbreaker, while also striving to be a traditionally obedient wife, as was expected. But the expectations placed upon her made her life a tightrope walk which almost broke her.

The life of Henrietta Maria of France (1609-1669) was turbulent from the beginning. Half-Bourbon and half-Medici, her father, the famous Henri IV, was assassinated when she was an infant. Brought up by her mother, the Queen Regent Marie de’ Medici, to be a devout Catholic, she also mastered ballet, singing, and acting, skills which she would use in masques to entertain the Bourbon Court and later the Stuart Court. At fifteen she was sent to marry Charles Stuart, grandson of Mary Queen of Scots, who had just succeeded his father James I to the throne of the Three Kingdoms. 

While Charles I never converted to Catholicism, as had been hoped by many, his relationship with his wife was profoundly spiritual, enhancing the intense physical passion between them. After the initial clashing of cultures and personalities, theirs became one of the most devoted in the history of royal marriages, and was blessed with nine children. During the troubles which led to the English Civil War, Henrietta Maria became a liability to Charles because of her religion and her meddling, both perceived and actual. But her courage and her devotion fuelled the royalist cause, as she sold her jewels to raise money for arms and led soldiers to aid her husband. 

The challenges the royal couple faced in their early years of marriage are told in Book 1 of the Henrietta of France trilogy, My Queen, My Love. Book 2 will deal with the Civil Wars and Book 3 will be about the Queen’s widowhood as well as the adventures of her surviving children.

My view of historical fiction is that the author attempts to paint a portrait of the past with words. A historical novel is like a portrait come to life, allowing the reader to step into the past. Authenticity is vital, and that comes only from thorough research. While it is not always possible to visit the historical places that play a part in the novel, it helps. 

The internet has been a gift to historical fiction writers, making accessible old documents, manuscripts, pictures and books that one once had to travel far to find. I found the original program of the 1623 masque performed by Anne of Austria and Henrietta of France at the Louvre during Shrovetide. It was at the rehearsal of the masque that Charles Stuart first saw Henrietta during his incognito visit to Paris. Such primary sources, like the Queen’s letters, are indispensable for creating a living portrait.

So much of what people think they know about Henrietta Maria has been filtered secondhand through multiple writers, some of whom view her as a frothy but tiresome fanatic who led her husband into ruin. This is often accompanied by the perception of the Queen as a dangerous seductress, who used her French wiles in the boudoir to subject Charles to her will. 

And others decide that Charles was not enough for her but she had lovers such as Henry Jermyn who actually told her what to do, while fathering her children. Just as her enemies called her the “popish brat of France,” she has been portrayed erroneously either as a sex fiend soaked with crazed religiosity, or as a shy, pious pawn. (Read more.)

Novel available HERE.

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Ghouls

 From Unlicensed Punditry:

Lindsey Graham’s sudden death caused the ghoulish cretins on the left to slither out of their dens once again. I’ve come to expect any death of a conservative or a Republican to result in grotesque hatred spewing from the left – and yes, without fear of contradiction, I can state that most of this behavior does come from the left. It has become who they are.

When I look at things that some find disagreeable today that were once entirely unremarkable, I find myself wondering where the line is between principled disagreement and conditioned reflex. At what point does opposition cease to be the product of reason and become little more than an autonomic response? When does “I disagree because I think you’re wrong” quietly become “I disagree because you’re the one saying it”?

That is not a trivial distinction. It is the difference between a healthy society/republic and dysfunctional ones.

Once people drift into the mindset of “I’m against it because you’re for it” or “I’m for it because you’re against it,” the possibility of persuasion begins to disappear. Facts become secondary. Evidence becomes negotiable. The merits of the policy no longer matter because the policy itself has become little more than a tribal flag. Supporting or opposing it is no longer an exercise in judgment; it is a declaration of identity. (Read more.)

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Limited-purpose Libel

 From Mark Judge at The New Criterion:

To understand the negative effects of New York Times Co. v. Sullivan, the 1964 Supreme Court case that changed American libel laws, consider the example of David Enrich. An investigative reporter for The New York Times who participated in the paper’s smear campaign against Brett Kavanaugh in 2018, Enrich is the author of Murder the Truth: Fear, the First Amendment, and a Secret Campaign to Protect the Powerful (2025), a book that defends the press and, specifically, New York Times Co. v. Sullivan. Though Enrich has expressed regret for his own sloppy and malevolent reporting, it is protected by the very legal victories he celebrates in his own book.

The events of the case began in 1960 when The New York Times published a political advertisement critical of Southern opposition to desegregation that condemned the Montgomery police force but also contained inaccuracies. This led L. B. Sullivan, the Montgomery police commissioner, to sue the Times for libel. Sullivan prevailed in the trial court and won the appeal in the Supreme Court of Alabama. The Times then appealed to the Supreme Court. In an opinion authored by Justice William Brennan, the Court reversed the lower-court decisions: to be guilty of libel, a media outlet had to be guilty of “actual malice.”

Insight into the case is provided by Carson Holloway, a professor of political science at the University of Nebraska, in his new book No Liberty to Libel: The Constitutional Case Against New York Times v. Sullivan, published by Encounter Books. (Editor’s note: The New Criterion and Encounter Books are both published by Roger Kimball.) As Holloway describes it, 

“Actual malice” here carried a specific, technical meaning—that the allegedly defamatory claims had been published with knowledge of their falsity, or at least with reckless disregard for their truth or falsity. To win damages in a libel action, the Court held, plaintiffs who were public officials would have to show not only that they had been defamed by a false publication, but also that the falsehood had been published knowingly or recklessly. This new standard gave the press (and others) what the Court believed was the constitutionally required breathing room to discuss vital public issues without undue fear of incurring large damage awards for erroneous publications—with the admitted side effect that some public officials who had actually suffered reputational damage from false reports would be unable to secure legal redress for their injuries.

In the years after Sullivan, Holloway notes, “additional rulings proceeded further down the trail blazed by the Sullivan Court, extending the ‘actual malice’ requirement to cases involving not only public officials but also ‘public figures.’” In 1967, the Supreme Court found in both Curtis Publishing Company v. Butts and Associated Press v. Walker that the actual-malice rule should apply not only to libel cases brought by public officials but also to those brought by all public figures—entertainers, professional athletes, musicians, business leaders, or university presidents. “Many who do not hold public office at the moment are nevertheless intimately involved in the resolution of important public questions,” Chief Justice Warren wrote in his decision on Curtis Publishing Company v. Butts. He continued, “our citizenry has a legitimate and substantial interest in the conduct of such persons, and freedom of the press to engage in uninhibited debate about their involvement in public issues and events is as crucial as it is in the case of ‘public officials.’” (Read more.)

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The Tragic Life of Marie-Thérèse of France

From Salon Privé Magazine:

As Marie-Thérèse Charlotte of France grew older, the French Revolution threatened. Because the country supported the American Revolution, funds were very low and France was borderline bankrupt. Attacks on the royal family became more vicious and the monarchy’s popularity plummeted. Within the Court of Versailles, xenophobia and jealousy were the primary causes of resentment towards Marie Antoinette, and due to her unpopularity with high-ranking officials within the court, she became the target of a vicious smear campaign. Pamphlets and leaflets were printed accusing her of a wide range of sexual deviancies and of sending France into financial ruin. Now, experts agree that Marie Antoinette was unfairly victimised and did little to deserve such treatment. At the time, however, this smear campaign worked and the public turned on her. (Read more.)

Madame Royale is one of the only novels about the life of Marie-Thérèse Charlotte.


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President Trump Reveals America's Voting Systems Completely Corrupt

 From L. Todd Wood at CDM:

In a primetime speech from the East Room of the White House on Thursday evening, President Donald Trump issued stark warnings about the integrity of U.S. elections, declaring that "all machines are dishonest and vulnerable" and outlining what he described as systemic corruption threatening American democracy.

The address, focused on election security ahead of the November midterms, featured the president referencing newly declassified intelligence reports now available on WhiteHouse.gov. Trump stated these documents confirm extensive vulnerabilities in the nation's voting infrastructure.

"All machines are dishonest and vulnerable," Trump told the national audience. He argued that voting systems across the country have been compromised, exposing them to manipulation and undermining public trust in electoral outcomes.

The president pointed to voter registrations as corrupt nationwide, claiming inflated and inaccurate rolls have enabled ineligible voting. He similarly described mail-in ballots as "vulnerable and corrupt," citing risks of fraud, improper handling, and lack of verification as major concerns that demand immediate reform.

Trump directly accused actors inside the U.S. government and media of participating in a coverup, alleging elements of the so-called "deep state" downplayed or suppressed evidence of these issues during his first term and the 2020 election cycle. He vowed that "urgent action will be taken" to address these threats, including enhanced federal oversight and support for legislative measures like the SAVE America Act. (Read more.)

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Homer’s ‘The Odyssey’ Is About Duty, Loyalty, and Family

 From Victor Davis Hanson at The Daily Signal:

Christopher Nolan, the renowned British director, has a new film coming out, another remake of “The Odyssey” by Homer. It’s supposed to come out July 17.  

Everybody’s been talking about it, not because they know what’s in it or they’re trying to guess how he treats this age-old epic, but because one of the stars, Lupita Nyong’o, and forgive me if I mispronounced her name, has been very vocal that, as she views the script and Homer’s work himself, there’s a matter of feminism that Homer did not highlight women sufficiently. 

Homer wrote “The Odyssey,” remember, around 700 to 650 BC at the dawn of the Greek city-state. It’s the second of his two epics, "The Iliad" and "The Odyssey", and it’s a much different epic than "The Iliad", which takes place in about 11 weeks on the plain of Troy.  

This is a panoramic view of the Mediterranean and traces the 20-year odyssey of the hero Odysseus to get back from Troy to the northeastern island off the coast of Greece, Ithaca. 

What she said was that there was not a sufficient portrayal of women or they were not powerful enough. I couldn’t understand that. I taught “The Odyssey” for 20 years in English at the California State University system to a variety of students, probably 2,000 students in humanities courses, as well as a much smaller number in Greek. 

And one thing one comes away with is that there’s no literature anywhere in the world at that time that has been more deferential or more interested in women. (Read more.)

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