Tea at Trianon: Marie Antoinette 1800

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, June 18, 2021

Marie Antoinette 1800

From Madame Guillotine:

Today’s painting by Élisabeth Louise Vigée Le Brun is this lovely posthumous portrait of Marie Antoinette, which she painted from memory in 1800, while she was residing in St Petersburg. She sent it to her former patroness’ daughter Marie Thérèse, Duchesse d’Angoulême, who had been released from imprisonment in December 1795 and was currently residing in Mitau in modern day Latvia at the court in exile of her uncle. Vigée Le Brun was invited to visit the princess there but being unable to leave St Petersburg, she sent this portrait instead as a gift.
As one might expect, Madame la Duchesse was delighted by this touching tribute to her mother and wrote a sincere letter of thanks to the artist. ‘The Comte de Cossé presented me, Madame, with the portrait of my Mother which you had asked him to bring me. You have afforded me the double pleasure of seeing in one of your most beautiful works an Image very dear to my heart, thus of being beholden to you for having used your talents as a proof of your sentiments. Be assured that I feel this more deeply than I can express. And count on my feelings for you. Marie Thérèse.’ (Read more.)