We’re In the Midst of Another Globalist Psy-op

 From Welcome to Absurdistan:

The real damage was done to the young. While boomers made bank on global warming and globalism, kids are in despair. In the real world, the physical, nothing has happened for 35 years. Every middle and working class person has been cheated of life. Slow growth, no growth, over-regulation to stop enterprise because ‘carbon’, has nearly choked the life out of us. The Climate Change/Net Zero junta was supposed to shut us up, the science so convoluted and unreadable, we were supposed to be silent in awe of our superiors. And the corporations were about to make big big bank off the carbon tax subsidies of truck drivers and waitresses.

You know who swallowed the fiction whole? Teachers.

In a Lancet Planetary Health study of 10,000 young people across ten countries, 75 percent said the future is frightening, and 56 percent said they believe humanity is doomed. A 2025 PNAS study found one in five Americans aged 16 to 24 is afraid to have children because of the climate. That gloom has deepened over time. In Yale’s long-running survey, the share of Americans 18 to 34 who say global warming is already harming this country rose from 40 percent in 2012 to 64 percent in 2022. - American Greatness, August 22, 2026

That’s why those generations are looking hard at Democratic Socialism. The world of their parents was gutted by globalists, slow growth and the scare story of climate change. They don’t see a future.

But in the real world, even the IPCC has downgraded their warnings to moderate, unknown, not catastrophic, and the scam is almost over. Once the digital elites realized they needed more energy they stopped virtue signalling and funding the NGO’s, and that was that. Canada and Europe are still trying to save face and pay off investors in “carbon capture”, as are the media, but that will fade too. The pension losses alone……draw a veil.

But then of course, a new panic is confected. Bill Gates issued a warning about AI two days ago, which means AI panic is a globalist psy-op which has picked up just about everyone. If Bill Gates is opining, it’s a psy-op; nothing that man says is honest.

The things that physical AI, agentic Ai will do, is transform the workplace. When BMW and Sieman’s integrated AI into their factories, no jobs were lost. New jobs, with new training were integrated. (Read more.)

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The Best Film Ever?

In some recent Tudor novels and series there has been an emphasis on St. Thomas More's role in Henry VIII's persecution of religious dissenters. As Chancellor of England, St.Thomas had the morbid task of overseeing the execution of heretics according to the laws of the land. Most countries at the time saw heresy as a capital offense so St. Thomas was not doing anything unusual in carrying out the King's will in such matters. It is the mistake of our post-Enlightenment era to judge the past by our present way of doing things. Just as we are horrified by their burning of heretics, so would they be horrified by our massive numbers of aborted babies. From George Weigel at First Things:

I recently rewatched Fred Zinnemann’s riveting cinematic adaptation of Robert Bolt’s play for at least the sixth time, and the thought occurred: Is A Man for All Seasons the most perfect film ever made? Everything about it seems exactly right.

Bolt’s screenplay keeps the action moving, highlighting the story’s pivotal moments while losing nothing of consequence from the play’s script. Everyone in the cast is terrific, beginning with Paul Scofield’s Thomas More and continuing through Wendy Hiller’s Alice More, Robert Shaw’s Henry VIII (the young Renaissance hero, not the porcine lecher of later years), Orson Welles’s Cardinal Wolsey (embodiment of a Church crippled by its alliance with state power), Nigel Davenport’s rough-and-tumble Duke of Norfolk, Leo McKern’s cynically amoral Thomas Cromwell, and John Hurt’s Richard Rich, corrupted by intellectual arrogance and overweening ambition. Vanessa Redgrave’s lascivious, eighty-second cameo as Anne Boleyn hints at the sorry end awaiting the woman for whom King Henry broke with the Church of Rome.

Ted Moore’s cinematography is both gorgeous and true to history; I once looked out the window in More’s cell in the Tower of London and was struck by how cannily Zinnemann and his cinematographer used that view of the Thames embankment to convey the changing seasons during Sir Thomas’s lengthy imprisonment. Georges Delerue’s score is well-matched to the flow of the film and gives it an authentic Renaissance flavor.

If there is anything awry in A Man for All Seasons, I didn’t notice it. 

I’ve often taken exception to Bolt’s attempt, in the preface he wrote for the 1962 paperback edition of his play, to justify to his secularist peers his esteem for More, an ardent Catholic. In that apologia, the agnostic-bordering-on-atheist playwright positioned Thomas More as a proto-existentialist hero: one who died in defense of “an adamantine sense of his own self,” King Henry’s threat to which caused “this supple, humorous, unassuming, and sophisticated person [to] set like metal, [and be] overtaken by an absolutely primitive rigor”—a man who “could no more be budged than a cliff.” Yet in his screenplay, Bolt could not escape some decidedly Catholic facts: that the More family prayed together; that More, as a theologically knowledgeable consultant, helped Henry VIII win the title “Defender of the Faith” for a book defending the seven sacraments against Martin Luther; and that More, at his trial, insisted that the papacy was a divinely mandated institution. Then, at the end, Bolt’s More confesses that he dies “the King’s good servant, but God’s first”—the God who “will not refuse one who is so blithe to go to him.” (Read more.)

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