Tea at Trianon: Exhibition of Slavery

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, June 11, 2021

Exhibition of Slavery

From ArtNet News:

The Rijksmuseum in Amsterdam has unveiled its landmark exhibition, “Slavery” (through August 29), an unprecedented survey of 10 personal stories of those who were involved in the slave trade, either as profiteers or victims, as it made its way across the Atlantic and Indian Oceans and into the Netherlands’ various colonies.

The show, which has been four years in the making, includes 140 objects from the 17th through 19th centuries, and includes two towering Rembrandt portraits of Oopjen Coppit and Marten Soolmans, who were the ultra-wealthy beneficiaries of a sugar refinery, as well as disturbing artifacts such as collars that were forced on enslaved peoples and gifts exchanged between an African monarch and a slave trader.

Among the stories told is that of Wally, an enslaved man forced to work a sugar plantation in the colony of Suriname. Along with others, Wally organized a failed revolt on the plantation and fled, a crime for which he was executed by immolation in 1707.(Read more.)