Tea at Trianon: Nazi Female Guards: Loyal and Merciless

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Sunday, August 16, 2020

Nazi Female Guards: Loyal and Merciless

From DW:

The Austrian Maria Mandl was exactly what the self-proclaimed proponents of the "master race" wanted their female guards to be: loyal and merciless.

Someone like Mandl could go places under the perverse hierarchy of the Nazis. In 1942, after three years in Ravensbrück, she was transferred to work at the death camp Auschwitz. There, she created the Women's Orchestra of Auschwitz that was forced to play music during prisoner transports and executions.

In 1940, after World War II had begun, the female guards became subsumed under Hitler's elite death squad the SS (Schutzstaffel, Protection Squadron in English.) The freshly designed and updated exhibition, "In the SS's Service," first conceived in 2004, does not shirk from details. The location of the exhibition was also carefully considered: The old barracks for female camp guards, right next to the former camp. Only a wall and barbed wire separated the perpetrators from their victims. (Read more.)