Tea at Trianon: Rhapsody on a Theme of Paganini

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Wednesday, August 1, 2018

Rhapsody on a Theme of Paganini

From My Favorite Classical Music:

Today I want to share with you Rachmaninoff’s “Rhapsody on a Theme of Paganini.” Niccolo Paganini, Italian violin virtuoso and composer, wrote 24 capriccios for violin – 24 very short but extremely difficult pieces to play. I feel like they were written for the performers, not the listeners – they are as difficult to listen to as they are to play (at least in large doses). Sergey Rachmaninoff took themes from these capriccios and basically wrote a concerto for piano and orchestra. If you don’t listen to the whole rhapsody, you should at least give variation no. 18 a chance – as my son Jonah said last week, “This is the most beautiful piece of music ever written!”. Last Friday the kids and I listened to probably a dozen different performances of this variation. (Read more.)