Tea at Trianon: Charles I and Henrietta Maria at Oxford

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Monday, September 27, 2021

Charles I and Henrietta Maria at Oxford

From Merton College:

The assassination of Buckingham in 1628 saved the marriage. Charles and Henrietta Maria found solace together and eight children were born between 1629 and 1644, a family famously celebrated in the portraits of Van Dyck. She developed into a discerning patron of the arts, an enthusiastic developer of houses and gardens, a confident participant in court politics and a committed patron of the Catholic cause in England. King and queen commissioned and participated in court masques that held up their mutual love as a model for the harmony of a wise king and his ordered realm. As tensions grew over Charles’s religious and fiscal policies across his three kingdoms, tensions that would lead in 1637 into a revolt in Scotland, his more anxious subjects saw in such productions evidence not of harmony, but of papist conspiracy at the heart of the court and of the queen at its head. Her elaborate baroque chapel, built by Inigo Jones at Somerset House, her cultivation of continental sacred music, her squad of French Capuchin priests, her encouragement of noble lady converts to Rome and her welcome to papal agents at court all fitted the picture.

As Charles turned reluctantly to his English Parliament to resolve the deepening crisis, criticism of the queen mounted. It was in part fear for her safety that led them to leave London in January 1642 and soon afterwards she crossed to Holland. She was both escorting her daughter to a marriage into the House of Orange and looking for support for her husband’s cause. Early in 1643, she sailed to Bridlington and set herself up at York, helping to direct the royal armies in the north, but her aim was always to re-join the king, who had made Oxford his base and Christ Church his home. Already in February she was writing to him, ‘I am in the greatest impatience in the world to join you’.

By mid-March 1643, rooms at Merton were being prepared for the queen and a route cleared between their host colleges so that king and queen could readily meet. She finally arrived on 14 July, entering the city by coach. There were speeches of welcome and the university authorities presented the queen with gloves and books of poems. Then she walked with Charles from Christ Church through one of the Canon’s gardens and ‘Corpus Christi backeside’ to Merton, where she settled into the Warden’s Lodgings at the junction of Front Quad and Fellows’ Quad. These were conveniently vacant as the Warden, Nathaniel Brent, had fled to London and sided with Parliament, which was by then busy trying to impeach the queen as well as to besiege her husband.

Henrietta Maria already knew Oxford. When she and Charles visited in August 1636, four-year-old Anthony Wood, the great chronicler of 17th-century Oxford who grew up in Postmasters Hall, saw them and remembered it for the rest of his life. Indeed, she already knew Merton, for Warden Brent had entertained the royal couple in 1629. Welcomed to the College with an oration by James Marsh, a long-serving fellow, they spent an hour in the long gallery that stretched from Brent’s lodgings along the top of Fellows’ Quad, enjoying afternoon sweetmeats.

She made her bedroom in Brent’s dining room, now the Breakfast Room, accessible from the stately carved staircase that Brent had just had built, while her entourage occupied the Queen’s Room over the Fitzjames Arch and adjoining areas. They included several servants who died at Oxford and were buried in the College Chapel – Richard North, Ellis Roberts, Mary Skevington – and the widows of aristocratic royalist captains, such as Lady Cobham and the Countess of Northampton. The Chapel hosted her Catholic services and at least one fellow, Dr John Greaves, the Savilian Professor of Astronomy, was later accused of spending far too much time with her Capuchin confessors. (Read more.)

Marriage Medal of Charles I of England and Henrietta of France

From the BBC:

A rare large gold coin from the reign of Charles I has fetched £54,560 at auction. The coin, known as the Triple Unite, was minted in Oxford in 1643 during the English Civil War and had the value of 60 shillings, or three pounds. It depicts the King holding a sword and an olive branch, possibly signifying his desire for peace. It sold earlier at auction house Dix Noonan Webb as part of the Micheal Gietzelt Collection. (Read more.)