Tea at Trianon: The Original Scary Fairy Tales

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, September 27, 2019

The Original Scary Fairy Tales

They were not for children. From National Geographic:

Folktales are as old as human civilization itself. A synthesis of the spoken and the scripted, a fusion of different accounts of the same story. The story of Cinderella, for example, appeared in ancient China and in ancient Egypt. Details in the telling change depending on the storyteller’s cultural origins. In Egypt, her slippers are red leather, while in the West Indies, breadfruit, not a pumpkin, is the transformative object. The story of Cinderella that appears in Jacob and Wilhelm Grimm’s collection of German folktales, first published in 1812, might shock those familiar with today’s version of a scullery maid turned princess.

In the brothers Grimm telling, the heroine is called Aschenputtel, and her wishes come true not from the wave of a fairy godmother’s wand but from a hazel tree growing on her mother’s grave, which she waters with her flowing tears. When the prince comes to find the dainty foot that will match the single slipper (which is gold, not glass), the stepsisters do not shove and shriek but dismember, one cutting off her big toe to try and make the shoe fit, the other cutting off part of her heel. And at the story’s close, Cinderella’s wedding to the prince includes two white birds, which rather than cheerfully tweet Cinderella on her way to happily ever after, peck out the stepsisters’ eyes. (See also: Germany's fairy tale road.) (Read more.)