Tea at Trianon: The Textile Designers Behind Some of Jacqueline Kennedy Onassis’s Most Memorable Interiors

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, June 26, 2026

The Textile Designers Behind Some of Jacqueline Kennedy Onassis’s Most Memorable Interiors

From Elle Decor:

Jacqueline Kennedy Onassis is remembered not only for her enduring influence on American style, but also for the homes she carefully shaped throughout her life. From the White House and the Kennedy compound in Hyannis Port to her Fifth Avenue apartment and homes she shared with Aristotle Onassis in Greece, Kennedy approached interiors with the same elegance that defined her public image.
Newly surfaced, never-before-published letters exchanged between Kennedy and textile designers D.D. and Leslie Tillett reveal the depth of that involvement. While Kennedy worked with celebrated decorators including Sister Parish, Stéphane Boudin, and Albert Hadley, the Tilletts became her trusted collaborators whose textiles appeared over and over again. Together, the letters offer a rare glimpse into the creative partnership behind some of Kennedy’s most significant interiors.
By the time Kennedy arrived at the White House in 1961, D.D. and Leslie Tillett were already fixtures in American decorating circles. Founded in the 1940s, Tillett Textiles built its reputation on hand-screened fabrics and a customized approach to design, attracting decorators such as Sister Parish and Albert Hadley, as well as clients like Bunny Mellon. It was through Parish and her White House renovation that the Tillets connected with Kennedy. (Read more.)