Tea at Trianon: 5 Obsession-Driven Noir Films Adapted from Novels

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Wednesday, June 3, 2026

5 Obsession-Driven Noir Films Adapted from Novels

From Laura (1944)

From CrimeReads:

When I first heard Sting’s lyrics to “Every Breath You Take,” the song’s chilling, threatening tone made me genuinely uneasy. Was someone watching me? Should I be looking over my shoulder? It seemed he had written a definitive stalker’s anthem. And yet, as unsettling as it was, the song was the sole number one hit for The Police and won a Grammy award for Song of the Year in 1984.

Are we obsessed with obsession? Possibly. Obsessive characters abound in creative works, and as I thought about it, several of my favorite films immediately came to mind. Characters with unrelenting fixations drive the disturbing plots of the following classic noir or noir-ish films, all craftily adapted from popular novels.
I recall reading Daphne du Maurier’s suspenseful masterpiece, Rebecca, in high school. I became immediately intrigued by the tangled tale of “the first Mrs. de Winter,” the beautiful and captivating Rebecca. Presumed to have died in a tragic boating accident near Manderley, her husband’s family’s estate on the southern shore of England, she reaches out from her watery grave to extend a forceful hold on the lives of those who loved or hated her. Her former temperamental husband Maxim, the naively insecure “second Mrs. de Winter,” and Manderley’s sinister housekeeper Mrs. Danvers, are all trapped, unable to escape from Rebecca’s manipulative grasp, as if she were stalking and haunting them from the afterlife.

And Mrs. Danvers, a name that has become synonymous with wickedness in film lore, is especially vulnerable. “Danny” professes that she would do anything for her former mistress, and her unrelenting obsession ultimately leads to devastation and her own demise. Hitchcock’s Gothic film noir adaptation, riveting and true to du Maurier’s novel, won Academy Awards for Best Picture and Best Cinemaphotography (Black and White). (Read more.)