Tea at Trianon: Whittaker Chambers through the Eyes of Rebecca West

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Wednesday, May 20, 2020

Whittaker Chambers through the Eyes of Rebecca West

From The National Review:

That is not an achievement we associate with her name. Rebecca West is more likely to be recalled for The Return of the Soldier (1918), an innovative psychological novel; or for Black Lamb and Grey Falcon (1941), that grand bio-travelogue of Yugoslavia on the cusp of war. Her reports on the Nuremberg trials, and the post-war trials of British fascists, also continue to find readers, especially among students of journalism. West’s writings on Communism, by contrast, lie unread, unsung. Many of them sparked controversy in her own day, and are well worth revisiting in ours.

In articles, book chapters, and book reviews spanning six decades, she returned to the allure of Communism for educated Westerners. (Its attraction for militant members of the industrial working class was no real puzzle, she said, not least because Marxism deified the proletariat.) Reviewing the second volume of Solzhenitsyn’s Gulag Archipelago for the Sunday Telegraph, West bitterly recalled that “25 years ago a large part of the Western European and American population of intellectuals were, with disgusting single-mindedness, pimping for Stalin.”

Decrypting Communism’s appeal, West believed, required paying close attention to the lives of true believers, people such as Julius and Ethel Rosenberg, Klaus Fuchs, and Alan Nunn May, and also to ex-Communist apostates such as Arthur Koestler and Richard Wright. She drew portraits of them all. But no life to her was more fascinating, and perhaps more revealing, than that of Whittaker Chambers (1901–1961), the Communist, later ex-Communist, informer whose testimony sealed the doom of Alger Hiss. It was in the conduct and words of Chambers that West found a source of longing for Communism that transcended Chambers himself. The context of her discovery was a trial and a book that caused a sensation in early Cold War America. (Read more.)