Nevertheless, it is striking to consider that some of the most profound pages Tolkien ever wrote about the central mystery of Christianity had to wait until 1993 to see the light of day, although Clyde Kilby, an English professor from Wheaton, had seen them already in 1966. In his profound philosophical and theological analysis of the works of JRR Tolkien, The Flame Imperishable: Tolkien, St. Thomas, and the Metaphysics of Faërie (Angelico Press, 2017), Jonathan McIntosh summarizes and quotes from this dialogue, Athrabeth Finrod ah Andreth (internal page numbers refer to volume 10 of the History of Middle-earth):ShareAt one point in their conversation Andreth tells Finrod about a “rumour” reported amongst those Men of the “Old Hope” that one day “the One will himself enter into Arda, and heal Men and all the Marring [of the world] from the beginning to the end” (321). Andreth, who for her part does not believe the rumor of the Men of the Old Hope, since “all wisdom is against them,” raises the following, reasonable objection: “Eru is One, alone without peer, and He made Eä, and is beyond it; and the Valar are greater than we, but yet no nearer to His majesty.... How could Eru enter into the thing that He has made, and than which He is beyond measure greater? Can the singer enter into his tale or the designer into his picture?” (321–22). Finrod replies by reminding Andreth of the simultaneity of Eru’s immanence and transcendence, stating how Eru is in fact “already in it, as well as outside,” to which Andreth agrees but replies that the legend speaks rather of Eru “entering into Arda, and that is a thing wholly different.” When Andreth asks how this could be possible without the Earth — indeed, without created reality itself — being “shattered,” Finrod pleads ignorance, though he does not doubt that, should Eru purpose to accomplish it, “he would find a way,” but that, if “he were to enter in, He must still remain also as He is: the Author without.” … For Tolkien, Eru’s ability to be simultaneously immanent within while transcendent to his creation, as his metaphysics of eucatastrophe requires, is directly connected with a kind of Trinitarian complexity or distinction within Eru’s own being. (McIntosh, 69–70)“How could Eru enter into the thing that He has made, and than which He is beyond measure greater? Can the singer enter into his tale or the designer into his picture?” The answer: “He would find a way.” (Read more.)
The Mystical Doctor
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