Tea at Trianon: The Rosary in Art

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, May 4, 2012

The Rosary in Art

From the marvelous Paternosters blog, a series on how to recognize a rosary in old paintings. To quote:

I've been looking at some portraits of women with beads around the neck that I'm pretty sure are decorative necklaces and not rosaries. But then I ran across the painting below. It's called "The Magdalen Weeping," and was painted about 1525 in the Workshop of the "Master of the Magdalen Legend." It's now in the National Gallery, London....

A very good clue that something is a rosary is the presence of gauds (marker beads) at regular intervals on a single string of beads, with smaller beads between. The painter may or may not reproduce exactly how many beads are in each interval, but my sense is that the presence of larger, contrasting colored beads like this is probably intended as a signal that this element of the painting represents a rosary. So far, I have not seen anything that couldn't be a rosary that has this feature. (Read entire post.)

Allison said...: This is beautiful! Just a perfect item for Catholic Pinterest. Sharing it there, linking to your blog for credit.; May 4, 2012 at 10:34:00 AM EDT