Tea at Trianon: St. Hildegard’s Encounter With Angels & Their Music

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Wednesday, September 20, 2023

St. Hildegard’s Encounter With Angels & Their Music

From Catholic Exchange:

St. Hildegard of Bingen, a Doctor of the Church, was not just a Benedictine superior, mystic, diplomat, woman of letters, naturopath, and linguist but also a composer. She left us with seventy-seven liturgical chants, hymns, and sequences and a liturgical drama: The Order of the Virtues. Fr. Pierre Dumoulin wrote that these works make up one of the richest repertoires of medieval music. Yet they are not the fruit of a composition work, strictly speaking, but the transcription of celestial harmonies that the saint perceived through her visions.

Hildegard actually contemplated the heavenly myriads. “Some radiated like fire. Others were completely clear. Still others glittered like stars. It was a concert of voices that was like the sound of the sea.” She thought that the angel was man’s model. The angel reminded St. Hildegard that praise was her vocation: “Man, God’s creature, must praise Him because his soul is made to live in praise, like the angels.”

The Fall contributed to disturbing the original harmony whose memory lives in us and which we must rediscover: “The canticle of praise is rooted in the Church according to celestial harmony through the Holy Spirit.” St. Gregory said it before her: music is the most elevated of all human activities. Hildegard believed that “when man’s spirit is well directed, he hears the song of the angels.” “The soul is itself a symphony, and it harmonizes everything.” She wrote that “the cohort of the angels yearns for God. It recognizes Him throughout the symphony of its praises and celebrates its past and present eternal mysteries.” (Read more.)