Tea at Trianon: Sacred Music

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, December 3, 2010

Sacred Music

How it has been vulgarized. To quote:

Today the fashion in the churches is for pop-inspired songs and the strumming of guitars, but the fault lies above all with the pseudo-intellectuals who have engineered this degeneration of the liturgy, and thus of music, overthrowing and despising the heritage of the past with the idea of obtaining who knows what advantage for the people. If the art of music does not return to its greatness, rather than representing an accommodation or a byproduct, there is no sense in asking about its function in the Church. I am against guitars, but I am also against the superficiality of the Cecilian movement in music – it’s more or less the same thing. Our motto must be: let us return to Gregorian chant and to polyphony in the tradition of Palestrina, and let us continue down this road!

More HERE. Share

2 comments:

tubbs said...: In respect to the delicacy and deportment of this wonderful cyber-salon, I will hold back on my usual language used to describe Catholic hymnody from the last forty-five years.
But one thing that is so pathetic about it is its datedness.
It sounds so dumb and corny and 60's-ish, like an annoying radio jingle (think Coca-Cola's "I'd like to buy the world a Coke).; December 3, 2010 at 12:21:00 PM EST
elena maria vidal said...: Such a travesty!; December 3, 2010 at 12:30:00 PM EST