Ça Ira or "It Will Be Fine," was the song which defined the French Revolution even more than the Marseillaise. It had already been a popular tune, which Marie-Antoinette herself played on the clavichord at Petit Trianon. But the words were changed to fit the new politics and some versions specifically mocked the Queen while rejoicing in the murder of the upper classes and the clergy. For instance,
We shall have no more nobles nor priests
Ah! It'll be fine, It'll be fine, It'll be fine
Equality will reign everywhere
The Austrian slave shall follow him
Ah! It'll be fine, It'll be fine, It'll be fine
And their infernal clique
Shall go to hell
Ah! It'll be fine, It'll be fine, It'll be fine
aristocrats to the lamp-post
Ah! It'll be fine, It'll be fine, It'll be fine
the aristocrats, we'll hang them!
That is why having Ça Ira sang by a decapitated Marie-Antoinette at the Paris Olympics last month is seen by so many as obscene.
Here is one of the best articles on the French Revolution ever. From The Washington Stand:
There is much talk today, across the Western world but especially in
America, of communism, socialism, Marxism and Leninism, and the Total
State. Grand allusions are made to the Soviet regime, to third-world
dictatorships, to 20th century coups, and to Nazi propaganda. But what
is tragically and all-too-often overlooked is not the Bolshevik
Revolution, nor Hitler’s ascension to the chancellorship of Germany, nor
the numerous communist revolutions and counter-revolutions which
populated the latter half of the 1900s, but an older revolution, which
served as the root of them all: the French Revolution.
The opening
ceremony of the Olympics in Paris makes manifest not only the dread
influence that the French Revolution exercises over the world still, but
also makes clear that the demonic forces within leftism recognize their
own parentage and have not forgotten the Luciferian goals of the French
Revolution. Drag queens performing a diabolical parody
of the Last Supper may seem like an innovation of degeneracy, common
enough across the globe: the promotion of the LGBT agenda coupled with
irreverence toward the Divine. But the inclusion of a nude, blue-painted
Dionysus may have confused some and certainly provided some cover for
the Paris Olympics organizers to claim that they were not mocking Christ
— how could they be if a pagan god were the centerpiece?
But the
appearance of Dionysus, coupled with a garish mockery of the decapitated
Queen Marie Antoinette, made it evident that the radical, pro-abortion,
pro-LGBT themes adored by leftists everywhere and celebrated profusely
(and profanely) in Paris last week trace their lineage to the
too-often-overlooked French Revolution. The forces of Hell declared on
Friday, in Paris, that the French Revolution is far from over. In order
for its evils to be resisted and, eventually, undone, it must first be
understood. (Read more.)
From The Catholic Register:
Ancient Rome’s pagan Emperor Nero, who famously burned his city to
blame it on Christians would undoubtedly have been very proud of the
bizarre spectacle that today’s pagan leaders conjured up for the whole
world to see. Thus, the French Olympic Committee and its seemingly
strongly atheistic French government led by French President, Emmanuel
Macron celebrated in grand fashion the union of athleticism and sadistic
narcissism. This is not so surprising when one considers that several
months ago French parliamentarians, by a vote of 780 to 72, made France
the world’s first country to enshrine abortion into its national
constitution.
Among the most glaring examples of their shocking displays of perversion during the opening ceremony were:
- a collection of drag queens parodying Christ’s Last Supper
- a celebration of the anti-Catholic French Revolution with a gruesome
skit displaying at least 37 decapitated models depicting Marie
Antoinette standing in the windows of a huge castle, holding her
bloodied and yet talking head in front of her body
- dancing cross dressed males with beards
- scenes of encouragement of gay orgies with threesomes;
- godlike adoration of huge statues emerging from the banks of the
Seine depicting women who pushed for the killing of unborn children on
French society
- a mocking display of Rome’s horrible custom of crucifying criminals,
especially Christians in later times, by having several people dangling
on with their arms outstretched, on long flexible poles above a bridge.
The culmination of this sadistic and satanic mocking of Christianity
were the two huge golden bull idols displayed on the main Olympic stage
at the end of the ceremony – akin to the golden calf idol made by the
rebelling Israelites when Moses came down from Mt. Sinai with the Ten
Commandments from God. (Read more.)
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