Tea at Trianon: Deeply Moving Story That Brings History to Life

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, April 14, 2026

Deeply Moving Story That Brings History to Life

A review of Generalissima from "Silver Rose":

I had previously read the first volume of this trilogy a few years ago and was captivated by the romance of King Charles I and Queen Henriette-Marie. In Book 2, they spend more time apart, but it remains romantic, leading to very poignant and memorable moments when either reuniting, departing, or, for example, attempting to read one another's encoded letters with frustration and yearning. Overall, there is much more focus on their children also in this novel. Elena Maria Vidal's superpower is her ability to vividly depict characters based on real-life historical figures so that your emotional investment and curiosity lead you to look them up. After doing so in some cases before finishing GENERALISSIMA, I actually ended up noticing foreshadowing when returning to the book. (Of course, it may be more prudent to wait to avoid spoilers. ;) ) There are other key figures that likewise warranted that Google search, among them Jeffrey the Dwarf. He had a unique personality, but I found myself intrigued in general:
While referring to their short stature rather than any sort of fantasy context, the mention of dwarfs—and even, while not seen, a giant—allowed, when coupled with beautifully lyrical references to Arthurian legend, a splash of a fairy-tale essence amidst a grittier plot. That isn't to say that fairy tales are without danger or the real within the fantastical, for they are, but, rather, that the overall tone is different here and more intense than in the first book. Nevertheless, beauty, love, and faith shine through, and there are moments of joy and Light. There is a dance scene set to "Greensleeves" that may be envisioned as one of merry yet almost ethereal times past. There are moments of prayer and Confession in even the most dismal of circumstances. While I don't wish to give spoilers, I must also mention a particular scene on the beach that is stirring in its mixture of intensity, hope, and, in other respects, overwhelming emotion. The courage of the principal characters is truly noteworthy. Of course, it is quite a moment when the title of the book comes into play. (Read more.)