Tea at Trianon: Gabrielle d'Estrées and Marie-Antoinette

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, April 3, 2020

Gabrielle d'Estrées and Marie-Antoinette

Vive Henri IV
Vive ce roi vaillant !
Vive Henri IV
Vive ce roi vaillant !
Ce diable à quatre
A le triple talent
De boire de battre
Et d'être un vers galant.

The royalist anthem Vive Henri IV was from Collé's 1770 opera La partie de chasse d'Henri IV. In 1774 it was often sung to honor Louis XVI, became popular again during the Restoration in 1814, as is told in the novel Madame Royale. The lyrics which celebrate the monarch who was seen by the French people as the epitome of justice, kindness, and virility. It was an attempt to identify the Bourbon dynasty with the popular first Bourbon monarch, Henri IV. Louis XVI had also been seen as sharing with the King from Navarre an easy manner with the common folk, as well as a strong sense of justice and love of the hunt. Early in their reign, the King and Queen held a costume ball where everyone came in dress from the era of le bon roi Henri, with Marie-Antoinette herself garbed as Henri's beloved mistress, Gabrielle d'Estrées. It was part of the Queen's attempt to show that she was loved by her husband, and that she was his mistress as well as his wife. During the Restoration, members of the Bourbon family, especially the daughter of Louis XVI, the Duchess of Angoulême, were frequently welcomed with the anthem. After the fall of the Bourbons in 1830, the anthem was no longer played, and soon became a relic of the past. Share