Tea at Trianon: Trauma and George Washington

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Monday, May 13, 2019

Trauma and George Washington

From The Daily Wire:

Here's the irony, though. The murals were painted in 1936 by artist Victor Arnautoff, who was a protégé of Diego Rivera and a communist. "He included those images not to glorify Washington, but rather to provoke a nuanced evaluation of his legacy. The scene with the dead Native American, for instance, calls attention to the price of 'manifest destiny.' Arnautoff’s murals also portray the slaves with humanity and the several live Indians as vigorous and manly," The Wall Street Journal reports. Historian Fergus M. Bordewich told The Fix that it is "a deeply wrongheaded habit to project today’s norms, values, ideals backwards in time to find our ancestors inevitably falling short."

"It betrays a very troubling intolerance of art and the ambiguity of art and the aspirations of art," he said. "It’s incredibly stupid if we try to erase history. It still happened, and you should argue about its meanings." (Read more.)