Tea at Trianon: The House That Grief Built

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Thursday, May 16, 2019

The House That Grief Built

From The New York Times:

The duke could not return to France for more than 20 years, until the fall of the Second Empire in 1870, when Napoleon III was overthrown. In the meantime, the duke’s wife and older son had died in England. He returned to France only to witness his younger son die from an illness. The duke regained ownership of Chantilly. In his grief, he re-created the old private rooms with their original contents, precisely as Lami had decorated them in the 1840s. “These private apartments became his ‘cemetery,’ as he called them,” said Mathieu Deldicque, curator of the Condé Museum at Chantilly. “Furniture was placed precisely where it had been earlier.” (Read more.)