Tea at Trianon: The Modern Bonfire of the Vanities

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Monday, May 20, 2019

The Modern Bonfire of the Vanities

From American Greatness:

San Francisco is the latest case in point. Earlier this month, the high school convened a “reflection and action working group” to determine the fate of a pair of 83-year-old murals depicting George Washington. The group determined the artwork is “highly problematic” and “traumatic” for students, since one of the murals presents George Washington next to several laboring slaves, and the other represents a dead Native American. The working group’s choice follows an earlierdecision in February by a school-board committee that the art “glorifies slavery, genocide, colonization, manifest destiny, white supremacy, oppression, etc.”

What’s particularly moronic about this attempt to erase history is that the original painter of the murals, Victor Arnautoff, didn’t even intend to glorify President Washington. Arnautoff was a Communist who depicted Washington in such a way to “provoke a nuanced evaluation of his legacy,” namely, to call attention to the human costs of slavery and manifest destiny. (Read more.)