Tea at Trianon: Blessed John Henry Newman and the Liturgy

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Saturday, May 4, 2019

Blessed John Henry Newman and the Liturgy

From Stephanie Mann:

After becoming a Catholic, Newman soon went to Rome for education and ordination as a Catholic priest, returning to England to establish St. Philip Neri’s Oratory in Birmingham and in London--and hoping for one in Oxford. While the Church of England had experienced many changes and controversies in liturgical practice since its founding in the sixteenth century, Catholics had not been able to practice their faith or worship freely from the beginning of the reign of Elizabeth I until Emancipation in 1829.

The Catholic Mass had been illegal; it was a felony to attend Mass; it was an act of treason for a Catholic priest to be in England and a felony for a layman or woman to assist a Catholic priest in any way—there are more than a hundred canonized or beatified martyrs to testify to the dangers of being a Catholic in England from 1559 to 1829. With the re-establishment of the hierarchy in England in 1850, Catholics began building cathedrals, churches and chapels and worshipping freely again.

Newman’s Oratories contributed to this renewal of Catholicism in England—in both London and Birmingham they began the tradition of sung High Mass on Sunday with excellent choirs and musicians and of sung Vespers on Sunday evenings—traditions that are observed now also at the Oxford Oratory. Newman favored classical styles of architecture and music. In this he stands in opposition to one of the great architects of the nineteenth century, Augustus Welby Pugin who favored, nay required, the Gothic style of architecture and Gregorian chant. (Read more.)