Tea at Trianon: A Da Vinci Exhibition at the Louvre

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Thursday, May 9, 2019

A Da Vinci Exhibition at the Louvre

From NDTV:

Later this year, the Louvre in Paris will host an exhibition of masterpieces by the Italian painter Leonardo da Vinci to mark his death 500 years ago in France. But the work that in recent months has been the intense focus of scrutiny by the media and da Vinci specialists, may not be on show. In 2017, "Salvator Mundi" was sold at auction by Christie's as a work by da Vinci for a record $450 million. But it has not been displayed in public since, triggering doubts about its ownership, its whereabouts and its authenticity.

The painting, a portrait of Jesus, was to go on display at the Louvre Abu Dhabi in September last year. But its unveiling was postponed by the museum without any explanation. The Louvre Abu Dhabi has kept tight-lipped about the identity of the buyer, saying only that the emirate's Department of Culture and Tourism had "acquired" it. And the mystery has further deepened ahead of a visit by Italian President Sergio Mattarella who will join France's President Emmanuel Macron on Thursday on a trip to the Loire Valley to mark the anniversary of da Vinci's death there in 1519, at the age of 67. "The Louvre has asked the Department of Culture and Tourism in Abu Dhabi for the painting to be given on loan," a Louvre spokesperson told AFP. "But we have not yet had any reply." (Read more.)