Tea at Trianon: The Art of Liotard

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Sunday, January 10, 2016

The Art of Liotard

Archduchess Maria Antonia

From The Royal Academy of Arts:

Born at the beginning of the 18th century, this idiosyncratic Swiss artist was one of the most accomplished portraitists of his day. He travelled widely – from London to the Orient – applying his unflinching powers of observation to create beautifully crafted portraits, the majority in his signature pastels on parchment. At the peak of his powers, Liotard was commissioned to paint portraits of members of the British, French and Austrian royal families. A master of self-publicity, he was known as ‘the Turk’ — so-called for his adoption of Oriental costume following an extended voyage to the Near East, where he painted expatriate residents as well as scenes of everyday life in the Ottoman Empire. This is the first retrospective exhibition in the UK to be devoted to Liotard, bringing together over 70 rarely-seen works. Covering the artist’s time in Paris, Vienna, Geneva, Constantinople and London – where he exhibited work at the Royal Academy – this exhibition is a long-overdue celebration of an exceptional artist. (Read more.)