Tea at Trianon: Who wrote ‘God Save The Queen’?

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, June 17, 2022

Who wrote ‘God Save The Queen’?

From Country Life:

In the early autumn of 1745, the future of Hanoverian rule in Britain hung in the balance. Bonnie Prince Charlie, the Stewart claimant to the throne, had landed in Scotland and occupied Edinburgh. On September 21, he also routed a government force close to the city at the Battle of Prestonpans. Regular soldiers were being hastily returned from Flanders to counter the threat and, in London, in response to the crisis, there was an outpouring of patriotic fervour. It found particular expression in theatres, where audiences responded enthusiastically to displays of loyalty to George II.

On September 28, 1745, therefore, a notice in the General Advertiser announced that Mr Lacy, Master of his Majesty’s Company of Comedians at the Theatre Royal, Drury Lane, had ‘applied for leave to raise 200 men, in defence of his Majesty’s person and government’. In the auditorium that evening, after a performance of Ben Jonson’s play The Alchemist, three celebrated singers of the day — Susannah Cibber, John Beard and Thomas Reinhold — stepped onto the stage and, with the support of a male choir, sang a traditional anthem with new words. It had been arranged by Thomas Arne, the composer who a few years previously had set a verse by James Thomson called Rule Britannia as the rousing finale of his 1740 masque Alfred.

The audience were delighted and, according to the Daily Advertiser of September 30, received the performance with ‘universal applause’, as well as ‘encores’ and ‘repeated huzzahs’, thereby illustrating in ‘how just an abhorrence they hold the arbitrary schemes of our invidious enemies and detest the despotic attempts of papal power’. Such was the success of the performance that, within two weeks, every play at both Drury Lane and Covent Garden was followed by the song. It began: ‘God Bless our noble king, God save great George our king…’ Now our national anthem, it has never passed out of the popular consciousness since. (Read more.)

Pictures from the life of Elizabeth II from Architectural Digest, HERE.