Tea at Trianon: Elisabeth Louise Vigée Le Brun in New York

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, February 16, 2016

Elisabeth Louise Vigée Le Brun in New York

Now at the Metropolitan Museum of Art:

Elisabeth Louise Vigée Le Brun (French, 1755–1842) is one of the finest eighteenth-century French painters and among the most important of all women artists. An autodidact with exceptional skills as a portraitist, she achieved success in France and Europe during one of the most eventful, turbulent periods in European history.

In 1776, she married the leading art dealer in Paris; his profession at first kept her from being accepted into the prestigious Académie Royale de Peinture et de Sculpture. Nevertheless, through the intervention of Marie Antoinette, she was admitted at the age of 28 in 1783, becoming one of only four women members. Obliged to flee France in 1789 because of her association with the queen, she traveled to Italy, where in 1790 she was elected to membership in the Accademia di San Luca, Rome. Independently, she worked in Florence, Naples, Vienna, St. Petersburg, and Berlin before returning to France, taking sittings from, among others, members of the royal families of Naples, Russia, and Prussia. While in exile, she exhibited at the Paris Salons.

She was remarkable not only for her technical gifts but for her understanding of and sympathy with her sitters. This will be the first retrospective and only the second exhibition devoted to Vigée Le Brun in modern times. The eighty works on view will be paintings and a few pastels from European and American public and private collections. (Read more.)

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