Tea at Trianon: First Book of Fashion

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Sunday, December 6, 2015

First Book of Fashion

From The Guardian:

Five hundred years ago, two boys grew up in the city of Augsburg in south Germany: Hans Holbein the Younger and his exact contemporary Matthäus Schwarz. Holbein’s father even painted Schwarz in 1508, when he was 11 years old, as part of a family portrait. Here we see him in that same year, playing in the streets after school.

Matthäus started making notes about what he was wearing when he was 17, and also asked older people about the clothes they had worn. For him, changes in fashion registered changes in culture. In 1523, he began commissioning artists to paint watercolours of him and his outfits, a project that became the world’s first continuous record of a lifetime’s worth of clothes. (Read more.)