Tea at Trianon: A Bouquet of Bourbons

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Wednesday, September 18, 2013

A Bouquet of Bourbons

From Reading Treasure. Louis XVIII and his family at the time of the Restoration, including the Duchesse d’Angoulême, daughter of Louis XVI and Marie-Antoinette. To quote:

This engraving, published in 1815, puts the returning Bourbons at the center of a 'royal bouquet.' I find it interesting that the duchesse d'Angouleme is placed in the second tier of flowers, just below the right hand side of Louis XVII and on the same level as as the comte d'Artois--who was now heir presumptive. Perhaps the engraving, which was no doubt created to promote joy in return of the Bourbon monarchy, was intending to capitalize on the memory of the French. They would remember their "princess in the tower," daughter of the last king and queen, much more than her two cousins. (Read more.)