Tea at Trianon: Mother Vera

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, September 2, 2025

Mother Vera

From The Conversation:

Mother Vera is an immersive work of art and the beauty of the cinematography is almost hypnotic. Countryside, animals and people move across the screen and pull observers into a different time and place. On occasion it is so vivid that it is almost possible to catch the scent of the candles in a darkened church, or the smell of cattle in the yard.

Yet while it is highly evocative, Mother Vera is a demanding watch. The audience is permitted to enter into the life of the nun and her order, and given an infinitesimal, but powerful, taste of the silence and stillness of that domain. Engaging with it is radically different from seeing a film propelled forward by constant dialogue, or framed in a way that leads viewers inexorably towards a prescribed moral conclusion or emotional response. Mother Vera not only gives those watching space to react and reflect individually, it almost compels them to do so. (Read more.)