Wednesday, October 9, 2024

Recovering the “Habits of the Heart” in John Ford’s 'Stagecoach'

 From Onalee:

Sociologist Robert Putnam identified in Bowling Alone and other studies, the enormous loss of community connection that has taken place over decades in our society. Movies of Hollywood’s golden age carry a mysterious aesthetic and moral power to build social capital and social unity.  

Recently at the Educational Guidance Institute (EGI) we finalized our new curriculum, Teaching and Learning Civic Engagement through the Art of Classic Film. There, our Unit 2 features the theme of care and defense of the Common Good with classic westerns like High Noon and The Man Who Shot Liberty Valence. Yet it was within the past several weeks when my friend, Sam Morales asked me to write a piece on Stagecoach for his Substack that I realized: 

John Ford’s 1939 masterpiece is one of the best vehicles for all of us, across the generations and across the cultural and political divides, to ponder the question: WHAT MAKES A GOOD CITIZEN?   

This is where the idea of teaching and learning the Aristotelian “Habits of the Heart”  of our title for this post kicks in: the characters in Stagecoach teach us timeless lessons about human nature itself. From the beginning scenes we learn human beings do in fact share a common human nature. This was the big IDEA that started to get lost centuries ago in the long history of Political Theory. Which tradition of thought about human nature is true? The nominalism of William of Ockham and rationalistic dualism of Descartes OR the classic tradition of Aristotle, Cicero and Thomas Acquinas carried on by 20th century philosophers such as Jacques Maritain, Josef Pieper, Mortimer Adler, Alisdair MacIntyre, and Heinrich Rommen? (Read more.)

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