Tea at Trianon: Queen Elizabeth II's Gown

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, June 2, 2023

Queen Elizabeth II's Gown

From The Royal Order of Sartorial Splendor:

The bride selected court dressmaker Norman Hartnell for the design duties, as she would continue to do for decades to come. Hartnell's inspiration for the gown was Botticelli's Primavera (above left), which symbolizes the coming of Spring - certainly a metaphor for England's rebirth after the war. The result (his sketch, above right) was a rather intricate and dreamy creation in ivory duchesse satin that was both extravagant and yet somehow fitting for the austere times. Just like everyone else in the country, Princess Elizabeth had to fund her gown with clothing ration coupons. Unlike everyone else, she was allowed 200 extra coupons by the government. Famously, people sent in their own coupons to help the Princess out (these were sent back with a note of thanks, since it was illegal for her to use them). In another sign of the times, the public had to be reassured that the silkworms used to create the gown came from China, rather than enemy countries such as Italy and Japan. (Read more.)

Here is a novel about the royal wedding that I recently enjoyed: