Jacquelyn attributes this ongoing absence of cultural competency to a lack of sensitivity, pointing out how some people still decorate their homes with racist objects such as mammy jars, colonial busts, war memorabilia, and Confederate flags. The intent behind the practice of interior race theory is to radicalize the disciplines of design and architecture by challenging people to think more critically about the home as an extension of self and how we represent ourselves. “What you fill your home with can also condition you to hold [certain] values,” Jacquelyn explains. For instance, “The use of the color white has been weaponized to symbolize purity…. There’s a lot of ways that this theory can deconstruct conservative values that really align with whiteness.”
Colors and lighting can be used to make people feel a certain way, but Jacquelyn argues that these decisions are not usually made with intersectionality in mind. Most designers, she believes, aren’t contemplating the nuances of what wellness looks like from the point of view of “folks who are either experiencing oppression or benefiting from oppression.” In the process of designing a space, she wants more people to think about how their home might influence the behaviors of others and consider what values they are trying to instill in the people that inhabit or visit this domestic environment. Jacquelyn notes how something as simple as the style of a dining table can enforce certain ideas within a space—a circular table could symbolize more community-oriented values, while rectangular shapes might represent patriarchal ideals (i.e. the man sits at the head). (Read more.)
I come from a white family...we are descended from people who lived in the British isles for more than a thousand years, and most of them are white. My mother was born in the Philippines and through her we proudly have Spanish, Chinese and Malaysian blood, but it does not show up much, except in the brown-black eyes which some of us have. One of my sisters wanted to be African American when she was little because we all loved Dionne Warwick. When we played with dolls, my sister insisted that her dolls be black. She had an entire family of black dolls. But now I wonder if her innocent admiration would be considered opposed to critical race theory and a symbol of oppression.
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