Tea at Trianon: Sixteenth Century Watercolors

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, September 29, 2015

Sixteenth Century Watercolors

The Public Domain Review:

These wonderful full-page watercolour illustrations are from a 16th-century edition of Pedanius Dioscorides’s work on herbal medicine, De Materia Medica. Dioscorides (ca. 40–90 AD), a Greek physician and botanist, is considered to be the father of pharmacology, with this five-volume book hailed as the forerunner of modern pharmacopoeias (books that record medicines along with their effects and directions for their use). His book was translated from the original Greek to Latin, Arabic, and Spanish, and continued to be in use with additions and commentaries written by various authors, one of them being the 16th-century Italian doctor Pietro Andrea Mattioli (1501–1577). Describing one hundred new plants not included by Dioscorides, Mattioli’s expansion of the book first appeared in Italian and was later translated into Latin, French, Czech, and German. These illustrations, found in Mattioli’s version of the book, are dated between 1564–1584 and are the creation of the Italian artist and botanist Gherardo Cibo (1512–1600).

The images, in which the plants take centre stage before a landscaped backdrop, seem to bear an uncanny resemblance to the images found in Robert Thornton’s “Temple of Flora”. (Read more.)