Tea at Trianon: Objects of Devotion

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, January 24, 2012

Objects of Devotion

How artists and craftsmen of old gave physical form to the Faith. (Via Supremacy and Survival.)

Medieval luxury came in various materials and forms, alabaster carvings among them, and a new show at the Princeton University Art Museum reveals the intimate beauty and expressiveness of this art. "Object of Devotion" highlights a selection of 60 Medieval English alabaster panels and freestanding sculptures from the vast collection of London's Victoria & Albert Museum. Touring for the first time in North America, these carvings of holy figures and narrative scenes were produced for churches, royal chapels and domestic altars in England and exported to the Continent. And they represent an English industry that thrived from about 1350 to 1530, after which the Protestant Reformation's ban on religious imagery, combined with the Dissolution of the Monasteries in England by King Henry VIII, not only ended the demand for such works but also led to their outright destruction. (Read entire article.)