Tea at Trianon: English Rood Screens

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, September 16, 2011

English Rood Screens

Most of them were destroyed during the Reformation.

The purpose of the screen was to divide the chancel, with its altar, from the nave, which was often used for secular purposes. It was an invariable part of the furnishing of every church until the Reformation, usually placed directly beneath the chancel arch, though sometimes brought forward slightly so that it could stretch right across the nave and aisles. The screen was generally surmounted by a loft, upon which stood the Rood, a giant figure of Christ crucified. The Reformation saw the destruction of virtually every Rood and the great majority of lofts, though the screens themselves were often spared as they were a useful feature in the ordering of the church. Most figure sculpture and painting depicted thereon, however, was generally defaced. (Read entire post.)