Tea at Trianon: Almuces

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, September 2, 2011

Almuces

Something I never heard of but interesting for those who like liturgical history.

The almuce (almucia, armutia) is not very commonly used today anymore. A part of choir dress, it identifies the wearer as a canon or prebendary. It is made of fur and is in principle a shoulder cape, but is only sporadically used as such any longer. Mostly it is today merely an insignia which either rests on the left arm or is placed on the desk of the choir stall.

The first news of the almuce we receive from the 12th Century. It was originally a headdress: it either had the shape of a cap reaching somewhat beyond the ears , or that of a hood extending below far down the back. Both types are mentioned and described in the statutes of Bayeux (ca. 1270). The hoodlike almuce was here a privilege of the canons of the upper row of choir stalls. It was made, whether cap or hood, sometimes of woolen stuff or silk, sometimes, and this was most common, of fur or lambskin; but in the latter case it was lined with stuff. Also, if made of fur or skin, it was popular to trim it with tassels at the hem, which were made from the tails of weasels and similar animals. The sculptures show plenty of evidence for this, especially in the later period. (Read entire article.)