Tea at Trianon: Could the Greatest Works of Literature be Lost?

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, July 12, 2022

Could the Greatest Works of Literature be Lost?

From The Guardian:

Using a statistical method borrowed from ecology, called “unseen species” modelling, they extrapolated from what has survived to gauge how much hasn’t – working backwards from the distribution of manuscripts we have today in order to estimate what must have existed in the past.
The numbers they published in Science magazine earlier this year don’t make for happy reading, but they corroborate figures arrived at by other methods. The researchers concluded that a humbling 90% of medieval manuscripts preserving chivalric and heroic narratives – those relating to King Arthur, for example, or Sigurd (also known as Siegfried) – have gone. Of the stories themselves, about a third have been lost completely, meaning that no manuscript preserving them remains.
The study also addressed the question of how representative the surviving stories and manuscripts are. Medieval Irish and Icelandic narrative fiction seems to have survived far better than the English equivalents. One reason might be that the practice of copying texts by hand persisted for much longer in Iceland and Ireland than in England, meaning that any given medieval tale is preserved in more manuscript copies – and so protected, to some extent, against the inevitable loss.
The causes of loss were manifold, from fires and other disasters, to the decay or recycling of material on which texts were written, to censorship, incompetence and corruption. Throughout history, the most destructive of these forces was probably fire – and not just in the western world. (Read more.)