Tea at Trianon: True Empathy

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Thursday, July 7, 2022

True Empathy

From First Things:

To respond to Hanks simply by pointing to the absurdity of requiring actors to have personally experienced what they represent on the screen is legitimate, but it also misses the broader significance of his assertion. His comment is not simply absurd; it is also very revealing about our current cultural politics.

Hanks’s comment is a function of the fact that perceived victims of the old norms for sex and sexual behavior now enjoy a privileged status in our culture. As a result, even a straight man playing a gay man in a piece of fictional drama risks being seen as indulging in an act of imperialist aggression, an appropriation and subversion of another’s victimhood. And Hanks is far from innovative in his liturgical response. Eddie Redmayne has offered similar repentance for playing the lead role in The Danish Girl. And other storms—for example, Laurence Olivier’s portrayal of Othello—indicate a similar squeamishness with actors and roles that touch on the current nature of racial politics. So far, so predictable. But Hanks’s comment reveals not simply the priorities but also the contradictions of our culture’s politics.

Acting surely depends upon empathy: The actor has to be able to empathize with the character whom he plays in order to represent him to an audience. That is possible because of our shared human nature and this explains why, for example, we can read the Iliad today and find it powerful and moving. I may not be a Greek or a Trojan, but when I encounter a story about love, betrayal, passion, conflict, anger, and revenge, it moves me because the characters are human and there is nothing in their deeds or experiences that is so alien to me that I cannot understand it at some level. And this is possible because, for all of the things that separate me from ancient Mycenaean civilization, I, like the characters in the epic, am a human being and able to empathize with them. We share a common human nature. (Read more.)