EMV: Ann, congratulations on the publication of your most recent book, Murder in the Vatican
. I commend you for reviving the characters created by Sir Arthur Conan Doyle in a series of new adventures. I enjoyed becoming reacquainted with Sherlock Holmes and Dr. Watson. You captured the essence of the original Holmes stories, while finding your own voice in the telling of the tales. What were some of the challenges of writing a novel with characters who are already so well-known? AML: The real challenge is to being true to the original. With Holmes pastiches, that is often not the case, so there are many bad ones. Sir Arthur Conan Doyle created a specific character that folks know, so I had to make sure Holmes and Watson lived up to their expectations. If I deviated at all, I needed to give a very good reason for it. In other words – I needed to remain “orthodox.” I wasn’t going to make any major changes to Holmes or Watson, or even to Father Brown who has a cameo in the book or the Holy Father Pope Leo. To be true to all of them, I really had to know them like I know my own family.
EMV: Your portrayal of Pope Leo XIII is especially vivid. Pope Leo has long had my admiration, but after reading Murder in the Vatican, I feel as if I have had an audience with him. Can you share a little about what it was like to depict the pope in a work of fiction?
AML: Intimidating. I wanted to wear a veil as I typed.
Seriously, I wanted to reflect him as he was, but I knew to tell a story about him some literary license would be necessary. It was like the process of converting a book to film. To make a novel work in another medium, one has to tweak the storytelling, To make a real person (Leo) into a character in a story, I had to tweak him ever so slightly—and yet remain true to who he was. Nevertheless, I felt guilty even doing the mild change I did. I repeatedly asked his forgiveness for taking what license I did. (I had him be a little more physically active than I’m sure he really was—but no Jackie Chan moves from this pontiff!).
EMV: I enjoyed the scenes that take place in Rome and at the Vatican, and while I was reading I thought that you must have spent time Italy because you really transport the reader there. Am I guessing correctly?
AML: Back when I was in college I stayed in Italy for three months studying Italian language and Renaissance art. But I really only managed to stay two days in Rome. Wisely, I spent most of that time at the Vatican. So, I was relying on my memories, photographs and books I purchased while I was there as well as others I checked out of the library to remind myself of where everything was. The difficult part was the inside of the papal palace, though, because one can’t go in there. So I lucked out in that I found an article from an 1890s magazine that described the inside of the palace as it was during Leo’s reign. And the artist even made sketches! So that helped a good deal.
EMV: Fascinating! Many historical details of what was going on in the Church and the world are subtly woven into your narrative, which enrich the impact of the mysteries that Holmes must solve. Could you tell us a little about the research that went into crafting a mystery in an authentic historical setting?