Tea at Trianon: A Street Scene In Montmartre

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Thursday, March 25, 2021

A Street Scene In Montmartre

From BBC:

A Street Scene In Montmartre has been owned by a French family for most of the time since it was painted in 1887. Sotheby's estimates it could fetch up to eight million euros (£6.9m) when it is sold at auction next month.

Van Gogh expert Martin Bailey told BBC News that this is "the first time we are able to see it properly".

Small reproductions have been made in the past, often in black-and-white. "What is exciting is that it is a Van Gogh painting which has been hidden away ever since it came off the artist's easel," Mr Bailey said.

"It has always been in private collections, so only the owners and their friends knew it.

"It is an interesting picture because it is a transitional work between Van Gogh's Dutch years, when he painted in dark, earthy colours, and the exuberant works that he did in Provence. It was in Paris that he discovered the Impressionists, and this led him to explore colour." (Read more.)