Sunday, January 31, 2021

The Garter Martyr

 From The Amish Catholic:

A man of profound faith; a man who took his duty seriously, and executed it with all the fastidious attention of convicted principle; and, for the most part, a devoted husband. Though not entirely clean of adultery, Charles had but one mistress, and that only at the very end, while a prisoner. Alas. On the whole, his marriage was extremely sound by the standards of the Stuart dynasty, let alone the norms that prevailed among the continental rulers of the 17th century. One must rather admire the gallantry of a husband who cropped the ears of a man who dared to call his wife a whore in print.

Charles also exhibited impeccable taste in art. His aesthetic sensibilities led him to amass one of the finest compilations of paintings in Europe. Today, they form the core of the Royal Collection. He employed great artists like Van Dyck and Rubens to beautify the court, architects like Inigo Jones to ennoble the capital, and poets like Sir William Davenant and Ben Jonson to write lavish masques. The Queen and even Charles himself participated in these masques. Henrietta Maria thereby became the first woman to act on the English stage, clearing the way for later pioneers like Aphra Behn and Nell Gwynn to make their mark during the Restoration. All of these developments irritated the Puritans, as did Charles’s reissue of the Jacobean Book of Sports, encouraging the people of England to enjoy various games and festivities on Sundays and feast days.

The 1630’s were something of a golden age for English culture. The vast Laudian effort to restore “the beauty of holiness” in Church liturgy and fabrics must be set in this context. Charles was the king who loved beauty in all things. (Read more.)

Share

No comments: