Tea at Trianon: A Controversial Sculpture

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Thursday, January 14, 2021

A Controversial Sculpture

From ArtNet:

It’s a question haunting many monuments toppled in 2020. In this case, the simple answer is the Virginia Museum of History and Culture in Richmond, where it arrived Tuesday morning. More complicated, though, is what the museum, which is currently closed for renovation, will do with it.

“Since we first learned that the statue may come to the museum, we had always intended to display it,” Andrew Talkov, the museum’s senior director of curatorial affairs, tells Artnet News. “There was never a thought of simply putting it in storage and hiding or holding onto it simply for posterity.”
Indeed, when the museum reopens in the spring of 2022, one of the most divisive symbols in the ongoing debate over historical public statuary will be on full display, likely in a larger exhibition about the history and evolution of “Confederate memorialization, from a variety of viewpoints,” Talkov says.

But display does not equal endorsement, the curator is quick to clarify. “We’re not going to decide,” he says. “It’ll be our society that decides how they want to handle these types of monuments in the future.”

Though programming plans are in the early stages, the curator says he intends to present the statue in a balanced, historically-informed manner. It won’t be neutral, but it won’t be geared toward the polemical either. The goal, he says, is to “connect our past with our present. It’s difficult to understand why the monument was removed if we don’t understand how the monument came to be in the first place,” he says. (Read more.)