Tea at Trianon: A Day in the Laborious Life of a Medieval Scribe

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, May 19, 2026

A Day in the Laborious Life of a Medieval Scribe

medieval scribe book of hours

From The Collector:

Before we wrote things down on paper, we passed them down through oral tradition. Ancestral lineages, mythologies, folk tales, and songs were the sort of thing you might expect to hear recited around the hearth each night. Eventually, trade records were inscribed on stone or papyrus: the very first receipts. As cultures began to create more symbols representing phonetic sounds, more things were recorded. By the 14th century, a wealth of information was available in the form of a book. But who wrote them? Let’s learn about medieval scribes.
So, what is a scribe? “Scribe,” a contemporary word derivative of the medieval scrībere, or “to write,” was a person whose entire life’s work consisted of copying texts. The beauty of the scribe is in its diversity: a monk or nun could be one as an act of devotion, a literate tradesperson could be one for commission, even a creative courtesan could become a scribe if they had the means.

Where you were writing and who the work was commissioned for largely dictated the content of the work. For example, a monastery would likely be commissioned to write a large religious text, whereas a private scribe could be commissioned to copy secular works, such as Roman de la Rose, one of the most popular stories of the period. In some unique cases, the scribe had complete creative liberty over the content as well as the style of the manuscript. (Read more.)