Monday, October 20, 2025

The Catholic World of Alice Meynell

 From The Catholic Herald:

Alice Meynell was born in 1847, the daughter of painter and pianist Christiana Thompson. The family were devout Anglicans until Alice began to read Newman and, aged 21, converted to Catholicism. Soon her entire family followed.

Meynell was already a recognised literary talent: when she described the interior change of conversion she inverted the usual image of the Church calling her soul. Instead, she wrote that it was "I who received the Church so that whatever she could unfold with time she would unfold it there where I had enclosed her, in my heart."

In 1876, Alice married writer, publisher and convert Wilfrid Meynell. The couple settled in Bayswater where they had eight children, edited and printed numerous periodicals (Merry England, The Pen, Weekly Register), and opened their house to writers both Catholic and non-Catholic: Francis Thompson, DH Lawrence, Aubrey de Vere, Coventry Patmore, George Meredith, GK Chesterton and Harriet Munroe.

They gathered to read aloud, edit each other's work, argue about style. Among them sat artists John Singer Sargeant, Sherril Schell and early photographers Walter Ernest Stoneman and EO Hoppé – all busy capturing portraits in order to record their historical moment, the fierce re-emergence of a British Catholic literary world after centuries of suppression.

Meynell herself was a celebrated poet (collections included The Flower of the Mind and A Father of Women). She also wrote volumes of short, elegant essays (The Spirit of Place, London Impressions, Hearts of Controversy) on topics both literary and common to daily life: rain, composure, solitude.

The essays widely read at the time emerged from Meynell's experience of foreign travel, her analysis of Greek myth, her observations of nature; they directed a lightly philosophical eye to the ordinary and particular. The essays are rarely bitter or argumentative, except for one, written after Guy Fawkes Day, in which she criticises the angry carnival of British idolatry: "mockery is the only animating impulse, and a loud incredulity the only intelligence". (Read more.)

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