Tea at Trianon: Tolkien’s Mythic Plan for England

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Thursday, July 23, 2020

Tolkien’s Mythic Plan for England

From Unherd:

This trick of Tolkien’s, of taking the familiar and making it into the stuff of high fantasy, is one of the subjects explored in considerable depth in John Garth’s The Worlds of J. R. R. Tolkien. Given the bewildering array of influences that fed into Tolkien’s work — personal, geographical, historical, linguistic and poetic — it is no mean task to gather up the threads and create a coherent narrative of how different parts of Tolkien’s life and work fed into the creation of what Tolkien eventually called his “legendarium”.

By this he meant not just The Lord Of The Rings and The Hobbit, but the entire fictional universe he created which forms the background for those stories. The sheer scale of Tolkien’s creative endeavour is indicated by the fact that after his death, his son and literary executor Christopher published not just The Silmarillion — a sprawling blend of creation story and epic history — but also 12 volumes in a series known as The History Of Middle Earth, based on his father’s notes and unpublished manuscripts, as well as a stand-alone novel, The Children of Hurin.

Garth makes clear that Tolkien’s approach was that of the magpie. Rather than drawing on one particular place or one particular tradition, he drew on all sorts of landscapes and legends. For example, the existence in Middle Earth of a quasi-heavenly enchanted land far across the Western sea – Valinor, the Undying Lands – echoes the beliefs in such places found all across Europe. (Read more.)