I guess every worldly success has its dark side. From the
BBC:
Over the course of his lifetime, Milne wrote seven novels, five
nonfiction books and 34 plays, along with numerous stories and articles.
He worked as editor of Granta and assistant editor of Punch. His
self-stated aim: to write whatever he wished. As a young writer, when
Punch finally accepted one of his pieces, he had been elated. “I had
proved that I could earn a living by writing. I would be editor of Punch
one day. I was the happiest man in London,” he wrote in his 1939
autobiography – tellingly titled It’s Too Late Now.
Of course,
Milne would also write the four children’s books that made up the Winnie
the Pooh series as well as two poetry collections, When We Were Very
Young and Now We Are Six. The children’s books added up to just 70,000
words, the length of an average novel. But their enormous fame erased
the memory of all the work he’d already done. (Read more.)
To quote from a review of the new film
Good-bye, Christopher Robyn from
Slant:
Goodbye Christopher Robin spends its
opening act belaboring Milne's inability to write while barely delving
into the psychological damage that triggered his writer's block. Milne's
wartime trauma is reduced to a few brief flashbacks and glimpses of his
recurring habit of twitching or jumping at any loud sound. And though
the film sees Milne as a fierce pacifist with a resolute desire to write
an antiwar novel (he would eventually publish the nonfiction Peace with Honour
in 1934), it's too timid to explore his inner demons with much depth.
The filmmakers instead shift the focus onto Milne's wife, Daphne (Margot
Robbie), and her frustration with her husband's artistic stagnancy, as
well as to Christopher, or “Billy Moon,” who eventually broke through
his father's harsh exterior and inspired him to write the Winnie the
Pooh poems and stories with the help of illustrator E.H. Shepard
(Stephen Campbell Moore).
Although it features a handful of touching moments between
Christopher and both his father and nanny, Nou (Kelly MacDonald), mostly
due to a surprisingly assured, emotionally rich performance by Tilston,
the film unfortunately lingers on the tedious build up to the release
of 1926's Winnie-the-Pooh, only to rush through the more
intriguing story of Christopher Robin's brush with fame and the
resultant fallout. Christopher was flooded with fan mail and, against
the advice of his beloved Nou, was also forced to spend hours every day
giving interviews and making public appearances. Over the years, the
strain of his accidental fame leads Christopher, now 18 and played Alex
Lawther, to hold a grudge against his parents and to curse the fictional
namesake that cast an unrelenting shadow over his life, leading to his
being bullied and eventually enlisting in the army so as to seek
anonymity. (Read more.)
Share
No comments:
Post a Comment