From Smithsonian:
Share“Life-sized painted bust of the queen, 47 cm high. With the flat-cut blue wig, which also has a ribbon wrapped around it halfway up,” Egyptologist Ludwig Borchardt wrote in his diary on December 6, 1912. “Work absolutely exceptional. Description is useless, must be seen.”
The discovery that the German Egyptologist believed was exceptional beyond words was the iconic limestone and stucco bust of Nefertiti, one-time queen of Egypt and wife of Pharaoh Akhenaten, who ruled in the 14th century B.C.E.
But what began as a profound appreciation of the 18-inch-high sculpture’s beauty in Borchardt’s diary 112 years ago quickly became an archaeological scandal for the ages, prompting questions of ownership and repatriation even in modern times.
The controversy started at an excavation of an ancient city on the Nile. Tell el-Amarna, also known as Akhetaton, captured the imaginations of Borchardt and the European archaeological community around the turn of the century as the capital city built under Akhenaten after he focused the spiritual life of his kingdom on a single god, Aten. (Read more.)
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