Tea at Trianon: Austen's Pride

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, October 21, 2016

Austen's Pride

From author Isabel Azar:

This summer, I had the delightful privilege of attending a performance of the lovely new musical, Austen’s Pride, at Nazareth College in Rochester, New York (the production was part of the Finger Lakes Musical Theatre Festival's summer season, and my mother and I made the journey from our home down South). It was well worth it; the duo behind the show, Lindsay Warren Baker and Amanda Jacobs, have skillfully woven together two riveting narratives, that of the novel itself, and the story of Jane Austen’s creation of it. They’ve been working on their masterpiece for roughly sixteen years now; stimulated by the profusion of Austen adaptations that came out in the late 1990’s, the ladies set about creating something of their own. As part of their research, they went to England and visited Chawton Cottage, Austen’s home, and were inspired to include the author in their show. Since its first performance in 2006, the musical has gone through many changes, and now, Austen has become more than a plot device; she’s a prominent character herself. She propels the play forward, both in her close bond with her sister Cassandra and in her associations with her characters. In the first scene, Jane rushes onstage to tell her beloved sibling that the publishers for Sense and Sensibility want to see more of her work, and together, the pair ponders the prospect of sending the manuscript for a certain First Impressions. Jane is uncertain at first, but with a little nudging from Cassandra, she decides to “give the story a second chance,” and is soon busy with editing her early draft. (Read more.)