Tea at Trianon: The ‘Religion of the Incarnation’

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Friday, March 22, 2024

The ‘Religion of the Incarnation’

We live in an age of great artists. From CNA:

Daniel Mitsui, a contemporary Catholic artist based in Hobart, Indiana, who creates art in the medieval style, told CNA that Catholic art today suffers from the wounds of a double-edged sword: rejection of tradition and complacency.
“I believe that Catholic religious artists have two tasks,” he said. “First, they should be faithful to tradition, attempting to hand down in their turn the things that have been remembered since the time of the New Testament and that are reflected also in the sacred liturgy and the writings of the Church Fathers. And second, they should make their work as beautiful as possible, because they are attempting to depict things the way that God sees them.”

“The experience of beauty,” he said, “is like a dim memory of life in paradise, an experience that no fallen human artist will be able to recreate. But we should strive to do the best we can!” (Read more.)